UNBROKEN
Director : Angelina JolieCast : Jack O’Connell, Domhnall Gleeson, Miyavi, Garrett Hedlund, Finn Wittrock, Jai Courtney
Genre : Biopic/Drama
Run Time : 137 mins
Opens : 5 February 2015
Rating : PG - Some Violence
Many
are all too familiar with the tragedy of war, but there is no shortage of truly
uplifting accounts of those who were able to weather inhospitable conditions
and tremendous odds to emerge victorious on the other side. Unbroken tells the remarkable true story
of Louis “Louie” Zamperini, played by Jack O’Connell with C.J. Valleroy
portraying Zamperini as a child. A record-breaking track and field athlete who
represented the United States at the 1936 Olympics in Berlin, Zamperini goes on
to enlist in the Air Force during the Second World War. After a rescue mission
goes awry and his plane crashes into the water, Zamperini is stranded at sea
alongside two fellow servicemen Mac (Wittrock) and Phil (Gleeson). Zamperini
and Phil are found 47 days later, only to be thrown into a Japanese
Prisoner-of-War camp. Their captor Cpl. Mutsuhiro "The Bird" Watanabe
(Miyavi) makes repeated cruel attempts to break Zamperini’s spirit, but he
remains steadfast.
Unbroken:
A World War II Story of Survival, Resilience, and Redemption, the
non-fiction book by Seabiscuit author
Laura Hillenbrand, served as the basis for this film. Zamperini’s true story
really is an inspiring one and seemed a natural candidate for an awards-worthy
biopic. There is some major pedigree behind the scenes, with the screenplay
written by the Coen Brothers, Richard LaGravenese and William Nicholson,
cinematography by Roger Deakins and music by Alexandre Desplat, all no
strangers to “big important movies”. A considerable amount of hype was attached
to the film because this is Angelina Jolie’s second feature film as director,
following her Bosnian War drama In The
Land Of Blood and Honey. It seems that on the surface, all the elements are
in place, yet there clearly is a spark missing in Unbroken. What should naturally be compelling elicits indifference
instead, the proceedings static rather than dynamic.
It would be tempting to put the
blame squarely on Angelina Jolie, seeing as actors-turned-directors are
something of an easy target. The fact of the matter is that while she does show
promise, Jolie’s inexperience behind the camera also bleeds through. It doesn’t
take a hard-core cynic to spot all the formulaic touches and despite being
based on a true story, Unbroken often
rings false. The film does downplay Louis Zamperini’s personal faith – he
became a Christian inspirational speaker and credits evangelist Billy Graham’s
revival service with turning his life around and helping him make a journey
towards forgiveness. The text at the end of the film does mention how Zamperini
made good on his promise to serve God and we see him making said promise while
aboard the life raft, but throughout the film itself, his faith is rarely
mentioned. While it would’ve been a challenge for the screenwriters and Jolie
to present this in a way that doesn’t seem preachy and sanctimonious, an
attempt to do so would have certainly added some layers to the story and
would’ve done the real-life Zamperini more justice, especially since this
belief in God was so important to the man.
Young English actor Jack O’Connell,
who caught the attention of filmgoers and critics alike with the prison drama Starred Up, does give an excellent
performance as Zamperini. The contrast between his athleticism in the scenes
depicting Zamperini’s track and field career and his gaunt, weak state after
being stranded at sea and then tortured by his captors is suitably harrowing
and the shortcomings in Unbroken’s
presentation are no fault of O’Connell’s at all. There is strong on-screen
camaraderie between O’Connell and Domnhall Gleeson and the two actors do their
utmost to make the viewer root for them to survive.
The crippling weak link in the
acting chain is Japanese rock star Takamasa Ishihara, better known by his stage
name Miyavi. This is his first acting gig, and it shows. Cpl. Mutsuhiro “The
Bird” Watanabe is meant to be the personification of all the various trials
Zamperini had to endure. Instead of frighteningly sadistic, Miyavi comes off as
slightly cocky. Jolie’s justification in casting Miyavi is that she didn’t want
an actor who was “a stereotype of a Japanese prison guard” and that she thought
a rock star would have the appropriate presence to play the psychotic part.
This appears to have backfired.
It’s a cliché line to use in a
review of a prestige biopic, but the most powerful part of the film is the clip
of the real-life subject at the end of the film. It shows Zamperini
participating in the Olympic Torch relay for the 1998 Winter Games in Nagano, Japan,
fit as a fiddle at age 80, smiling and waving to the crowds lining the streets.
Zamperini passed away in July 2014 at age 97. Biographer Hillenbrand approves
of the adaptation, saying “The man you see on the screen is like watching the
real man” and it is great that more will know of Zamperini’s story through Unbroken, but it ultimately is a shame
that the movie does not have the impact it could’ve.
Summary: Unbroken tells an extraordinary true
story and there’s pedigree behind the scenes, but director Angelina Jolie seems
to have bitten off more than she can chew, delivering a rote prestige biopic in
a transparent bid for awards consideration.
RATING: 2.5
out of 5 Stars
Jedd
Jong
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