PRIDE AND PREJUDICE AND ZOMBIES
Director : Burr SteersCast : Lily James, Sam Riley, Jack Huston, Bella Heathcote, Douglas Booth, Matt Smith, Charles Dance
Genre : Horror/Thriller
Run Time : 107 mins
Opens : 11 February 2016
Rating : NC16 (Violence)
Something is rotten in the
state of England – human flesh. It is the 19th Century and a plague
has befallen the nation, resulting in zombie hordes. Country gentleman Mr.
Bennet (Dance) has ensured that his five daughters are trained in martial arts
and weaponry to defend themselves against zombies, while Mrs. Bennet (Sally
Phillips) is more concerned that they marry well. When the wealthy and single
Mr. Bingley (Booth) purchases a nearby house, Mrs. Bennet sends her daughters
to the first ball where Bingley is expected to appear. The girls defend the
party from a zombie attack, and attraction sparks between Mr. Bingley and the
eldest daughter Jane (Heathcote). Meanwhile, the second eldest daughter Elizabeth
(James) clashes with Bingley's friend, noted zombie slayer Col. Fitzwilliam
Darcy (Riley). Meanwhile, local militia leader George Wickham (Huston), who had
a falling out with Darcy, takes a shine to Elizabeth. Elizabeth and Darcy must
overcome personal pride and societal prejudices to battle the zombie menace and
discover their true love for each other.
Pride and Prejudice
and Zombies is based on the 2009 parody novel of the same name by Seth
Grahame-Smith, who combined Jane Austen’s 1813 classic Pride and Prejudice with zombie fiction elements. A film adaptation
has been in the works since even before the novel’s publication, with Natalie
Portman set to star as Elizabeth and David O. Russell directing. Alas, the end
result doesn’t have quite that level of pedigree, with 17 Again’s Burr Steers writing the adapted screenplay and
directing. Portman remains as a producer. Across the development process, it
ended up that Grahame-Smith’s follow-up novel Abraham Lincoln: Vampire Hunter got a film adaptation first.
While Abraham Lincoln:
Vampire Hunter was criticised for being too self-serious, Pride and Prejudice and Zombies
acknowledges its inherent absurdity more readily. It’s not a dour affair and
there is a great deal of winking self-awareness to be had, which led to this
reviewer laughing more than he anticipated to. However, it’s quickly all too
apparent that this is built on just one joke, that zombies are having their
heads blown to bits amidst all the Jane Austen refinement. This is how the idea
was conceived: an editor at Quirk books literally compared a list of “fanboy
characters” like ninjas, pirates, zombies and monkeys with public domain
classics like War and Peace, Crime and Punishment and Wuthering Heights. Sounds arbitrary,
doesn’t it? This laziness comes through and the novelty factor proves
insufficient in sustaining the film.
We’ve had Charlize Theron with a bionic arm driving a
giant oil tanker across a post-apocalyptic wasteland and Emily Blunt in a mech
suit fighting aliens, so kickass heroines are in vogue. In this film, the
Bennet girls were trained in a Shaolin monastery and are proficient in various
forms of combat. In one scene, two of the sisters engage in sparring practice
while gushing over Mr. Bingley, speaking the original Austen dialogue. It’s
pretty fun.
James
makes for an adequate plucky, wilful protagonist and the actress demonstrates
her awareness of the type of film she’s in. The Cinderella and Downton Abbey
star is perfectly convincing as an aristocratic 19th Century English
woman fighting social norms, albeit a little less convincing as a formidable
zombie killer. Riley’s Mr. Darcy is brusque and brooding, clad in a leather
duster. Unfortunately, Riley and James share little chemistry and there’s no
flow to the progression of their relationship. Matt Smith showcases good comic
timing as the bumbling clergyman Mr. Collins, heir to the Bennet estate. In
Austen’s original novel, George Wickham turned out to be a liar and conman, if
not an out-and-out villain. Things end a little differently here. Huston’s
pulchritude has a slight tinge of menace, which makes him suited to the role. Dance
is a welcome presence as the kindly yet strict Bennet patriarch, but his Game of Thrones co-star Lena Headey gets
all too little screen time as the eyepatch-wearing Lady Catherine de Bourgh.
Many
readers have used charts and diagrams to follow the interwoven relationships in
Pride and Prejudice. Pride and Prejudice and Zombies trips up
when it tries to get through the plot of the story as quickly as possible so it
can get to the next zombie attack. The genre mashup isn’t as seamless and
confident as it needs to be to fully sell the conceit. Furthermore, the action
sequences aren’t particularly memorable. It’s also lacking the raw sex appeal
of, uh, Colin Firth.
Summary: Pride and Prejudice and Zombies is not
the unmitigated train-wreck it could’ve been, but it’s hard to shake the
feeling that all the premise should sustain is a mock trailer on Funny or Die.
RATING: 2.5 out
of 5 Stars
Jedd Jong
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