MAD MAX: FURY ROAD
Director : George Miller
Cast : Tom Hardy, Charlize Theron, Nicholas Hoult, Hugh Keays-Byrne, Rosie Huntington-Whiteley, Zoë Kravitz, Riley Keough
Genre : Action/Thriller
Run Time : 120 mins
Opens : 14 May 2015
Rating : NC16 (Violence)
It’s been 30 long years, but with
the fourth instalment of the Mad Max
franchise finally seeing the light of day, it’s time for road warriors to do
battle again. Taking over from Mel Gibson in the iconic titular role is Tom
Hardy. Max Rockatansky is captured and tortured by scavengers and in the midst
of escaping, teams up with “war boy” Nux (Hoult). Their paths cross with that
of the Imperator Furiosa (Theron), a warrior woman who drives the “war rig” oil
tanker truck. Furiosa plans to liberate the “breeders”, five young women
enslaved by the tyrannical Immortan Joe (Keays-Byrne) for the sole purpose of
bearing his children. As Max and Furiosa begin to rely on each other’s skills
as they cross the inhospitable desert, their various pursuers get ever closer.
Director George Miller, who helmed the first three Mad Max movies and whose bizarrely
diverse filmography also includes Babe
and Happy Feet, is back in the
driver’s seat for Fury Road. This is
a “soft reboot” that stands fine on its own if one hasn’t seen the other movies.
The film spent a tumultuous 25 years in development hell, with Gibson initially
attached but dropping out and Miller turning his attention to an animated Mad Max movie instead. For long-time
hard-core fans, Fury Road is worth
the wait. Unlike, say, Indiana Jones and
the Kingdom of the Crystal Skull, this belated fourth movie is still very
much in the spirit of the originals. A noticeable change – an improvement
really – is that the pace is a lot quicker here. The original Mad Max trilogy did have its lulls, but
things keep moving in this one. It’s also increased in scope and scale, but not
to a bloated extent. The editing is also a lot faster too, but thankfully stops
short of being whiplash inducing.
It’s telling that co-writer Brendan McCarthy was also the
lead storyboard artist and concept designer on the film. It’s very much style
over substance and that’s not necessarily a bad thing. The unique “post-apo-car-lyptic”
aesthetic developed by Miller for the first movie has often been imitated and
it’s great to see that style on the big screen again in such grand fashion. If
we could list every single crew member involved in the creation of the
vehicles, we would, because each one is a modern masterpiece of twisted metal.
Cinematographer John Seale delivers gorgeous vistas of desolation; one wouldn’t
expect scenes in a crazy post-apocalyptic action movie to be described as
“poetic”, but many of the shots really are. Seeing as the setting is all
desert, there’s the challenge in making sure it doesn’t look dull, a challenge
Seale overcomes.
While some fans are still unable to get over the
recasting of Max Rockatansky, Hardy is the ideal replacement for Gibson, Miller
citing a similar animalistic quality in the two actors as one of the reasons
for this casting. Though he has been sometimes disparagingly classified as a
“pretty boy”, Hardy is convincingly tough and does look like he’s been an
inhabitant of this wasteland all his life. There’s also that haunted quality to
his eyes, bringing life to the precious little back-story we get to glimpse.
This is definitely not a subtle movie – the opening voiceover might as well go
“hey, I’m the antihero. I have emotional baggage. Let’s go crash into stuff”
but Hardy does bring some subtlety to bear. As his sidekick of sorts, Nicholas
Hoult plays against type as a wild-eyed crazy kid whom Max grows to see as a
kindred spirit. It’s a transformative performance that is entertaining when it
could’ve been just plain annoying. Fans will also be pleased to see Hugh
Keays-Byrne a.k.a. the Toecutter from the first film return as new villain
Immortan Joe.
Charlize Theron’s Imperator Furiosa definitely has the
potential to become an iconic heroine. Sporting a shorn head and a bionic arm,
Theron goes the full Sigourney. It makes one realise that even though we’ve got
the likes of Katniss Everdeen and Black Widow these days, we do badly need more
old-school kickass women in movies. With all its pulpy 80s-ness, Fury Road could have very easily become blithely
exploitative, but instead there is an admirable plot thread in which the young
women cruelly forced to bear children for the villain fight for their freedom
and Max eventually joins their cause. Sure, there are times when some of the
women (played by models/actors Rosie Huntington-Whiteley, Riley Keough, Zoë
Kravitz, Abbey Lee and Courtney Eaton) seem to blend together and they’re all
clad in wispy bandages, but their rousing refusal to be victimised is as
invigorating as the big action beats. There are also “badass grandmas” in the
form of actresses Jennifer Hagan, Melissa Jaffer, Gillian Jones and Antoinette Kellerman.
Mad Max: Fury Road
is definitely an acquired taste. There will be audiences who, upon seeing the
exaggerated vehicle designs, over the top costumes and scary makeup, will
dismiss this outright and we see where they’re coming from. This being as
heightened as it is, it might be difficult to find an emotional foothold and
since this is essentially one big long chase, fatigue might set in. However,
for those who grew up with the series, this will be a particularly awesome dose
of nostalgia. Action movie junkies who are tired of blockbusters that lean too
heavily on CGI effects will get a kick out of the authentic metal-on-metal
tactility seen here.
Summary:
While it might be difficult for those without a personal connection to the
series to get into gear, Fury Road
offers long-time Mad Max fanatics a
heaping serving of exhilarating vehicular carnage and an excellent replacement
for Mel Gibson in the form of Tom Hardy.
RATING: 3.5
out of 5 Stars
Jedd Jong
