Showing posts with label Guy Pearce. Show all posts
Showing posts with label Guy Pearce. Show all posts

Thursday, April 25, 2013

Iron Man 3


Movie Review                                                                                                                  25/4/13

IRON MAN 3

2013


Starring: Robert Downey Jr., Guy Pearce, Gwyneth Paltrow, Ben Kingsley, Don Cheadle
Directed by: Shane Black

   
        In the interest of full disclosure, let it be known that this reviewer is more of a DC Comics fan than a Marvel one. That said, he hasn’t missed a single one of the films in Marvel’s Cinematic Universe, established with 2008’s Iron Man. The time has sped by on rocket boots, and with the Phase I films all in the bag, Phase II begins where it all started, with Iron Man.

            Robert Downey Jr. (who else?) is back as Tony Stark, tinkering with new gadgets even as the events of The Avengers give him sleepless nights. His girl Friday Pepper Potts (Paltrow) has moved in with him, but Stark just won’t give her the time of day even as the holidays approach. Enter the enigmatic terrorist mastermind The Mandarin (Kingsley), perpetrator of a series of vicious bomb attacks, one of which critically wounds Tony’s ex-bodyguard Happy Hogan (Jon Favreau). Tony swears revenge, and his home is assaulted by the Mandarin’s forces in return. Stranded in rural Tennessee, he enlists the help of a local kid (Ty Simpkins) to help patch his armour in anticipation of The Mandarin’s next strike. Tony also discovers links to Dr Aldrich Killian and Dr Maya Hansen, developers of the Extremis virus – a revolutionary piece of biotechnology that has turned dangerously unstable.


            Iron Man 3 is nothing short of a game-changer for the Marvel Cinematic Universe. In the film, Happy Hogan doesn’t work directly for Tony Stark anymore – a bit of leaning-against-the-fourth-wall winking, seeing as how Jon Favreau has passed on the director’s baton to Shane Black, who also co-wrote the screenplay with Drew Pearce. Once one of the most sought-after screenwriters in Hollywood, Black proves he’s still got the mojo he displayed with his screenplays for Lethal Weapon and The Last Boy Scout in spades. Iron Man 3 has got his stamp all over it (notice the Christmas-time setting) and yet also delivers everything we’ve come to expect of a big-budget superhero blockbuster at the same time.




            The film is tightly-plotted and expertly paced; audiences certainly won’t be twiddling their thumbs waiting impatiently for the next action scene to roll around. Said action scenes are plenty inventive though – a daring mid-air rescue which Stark compares to playing “Barrel of Monkeys” and a dazzlingly-choreographed finale involving Stark hopping in and out of an array of Iron Man suits mid-combat being the prime examples. Black shows that he understands how important such displays are to the type of film he’s making, but never lets the story get drowned out by the din of high-octane bells and whistles.



            A section of viewers have taken Iron Man 2 to task for spending too much of its running time in setting up the big event, The Avengers. Iron Man 3 suffers no such problem. The focus is squarely back on Tony Stark, and by now it is impossible to imagine the character being played by anyone other than Robert Downey Jr. At this point in a franchise, the leading man is wont to display signs of weariness or that he’s only doing it for the paycheck – nope, not here. Downey Jr., armed with a new batch of one-liners and an even bigger new batch of armoured outfits, is having as much fun with the role as ever.




He doesn’t feel like he’s hogging the spotlight though, because both Don Cheadle and Gwyneth Paltrow get more to do here in their supporting parts. Col. James Rhodes’ “War Machine” has been given an image makeover and renamed “Iron Patriot”; the film doing a good job of showing how Rhodey is at his best fighting alongside Iron Man instead of merely playing errand boy for the US military. Pepper Potts finally gets to step out of her “beleaguered assistant” corner and throw some punches of her own, playing a pivotal part in the film’s climactic shipping dock battle. The subplot with Ty Simpkins’ character serving as Stark’s kid sidekick of sorts could have come off as twee, but it doesn’t eat into the meat of the proceedings and Stark’s interactions with the boy are amusing and heartfelt.


Also new to the series are Ben Kingsley, Guy Pearce and Rebecca Hall. The Mandarin, the Fu-Manchu like archenemy of Iron Man in the comics, is reimagined as an unkempt, somewhat theatrical figure of the shadows – though there is of course more to him than that. Stalwart comic book fans might not like the way the character is ultimately handled, but it is clever enough and didn’t really bother this reviewer. Guy Pearce’s Aldrich Killian is a scientist who was ignored by Stark earlier in his career and doesn’t take too kindly to this, re-entering the fray with slicked-back hair and a spray tan. Pearce plays the “mousy to charismatic” angle well, when it could well have been overly cartoonish à la Jim Carrey’s Riddler in Batman Forever. The beautiful Rebecca Hall doesn’t get a lot of screen time, but is one of those actresses who plays “hot scientist” without a hitch.



It would seem that doing anything new within the confines of the wham-bam comic book blockbuster genre would be difficult, since every new entry seems to be measured against The Avengers or The Dark Knight trilogy. It is to the credit of Shane Black and the team behind Iron Man 3 then that the film is effortlessly invigorating, assured in its tone with a good sprinkling of humour mixed in with awe-inspiring, effects-heavy action sequences and well-written character moments. There probably isn’t a better way to kick off Phase II of Marvel’s Cinematic Universe than with this flick.



SUMMARY: Iron Man emerges tri-umphant under the direction of Shane Black with a three-quel that is anything but same-old same-old.

RATING: 4.5 out of 5 STARS

Jedd Jong 

Tuesday, April 17, 2012

Lockout

For F*** Magazine Singapore.




Movie Review                                                                                                             16/4/12
LOCKOUT
(2012 Release)

Starring: Guy Pearce, Maggie Grace, Peter Stormare
Directed by: James Mather and Stephen St. Leger
         

            Looking at today’s crop of action movies, it’s easy to become sentimental and nostalgic about the good old days of macho one-man-army action heroes with bulging biceps and even bigger guns, delivering headshots one second and corny, quotable one-liners the next. For fans of the era, especially those who grew up on such movies, Lockout is one such wonderful blast to the past.

            Sure, this sci-fi actioner is set in 2097, but boy does it feel old school. Just look at the plot: ex-CIA agent Snow (Pearce) has been framed for the murder of a former colleague. Secret Service chief Scott Langral (Stormare) gives him one chance at redemption: rescue Emilie Warnock (Grace), daughter of the President of the United States (Peter Hudson). She just happens to be stuck on MS-One, a super maximum security prison complex in orbit around the earth – and the 500 psychopaths once peacefully stored in stasis have taken over.

            Are you having flashbacks of Escape from New York and (perhaps even more so) its sequel Escape from L.A.? Lockout brings to mind a whole bunch of other sci-fi/action/both cult classics too, with its future-Chinatown right out of Blade Runner, Battlestar Galactica-style space fighter planes, Die Hard-esque scenario and “gyrocycles” that look suspiciously like Tron’s lightcycles. It’s okay if you aren’t original, as long as you make something out of all the borrowed parts that is entertaining – and boy, if this isn’t entertaining, I don’t know what is.

            From start to finish, this is a breathlessly rollicking ride. The action is wham-bam, non-stop and unrelenting, yet somehow coherent and enjoyable. Guy Pearce’s Snow is as old-fashioned as action heroes get. He displays the right mix of cocky self-assurance, badass physicality and comic timing to pull off what is essentially a homage to the days of Schwarzenegger and Van Damme, albeit with better English, and acting. His every other line is a witticism of some kind, and some are pretty good - turning a good portion of the film into a genuine laugh-riot.

            Maggie Grace, known for her appearance in the earlier Luc Besson-produced Taken is at first glance your typical First Daughter, but successfully toes the line between damsel-in-distress and Ripley-style action heroine (her prowess with a gun leads Snow to quip “and I thought you were a Democrat!”) and has a nice back-and-forth banter with her leading man, and the film doesn’t resort to a romantic plot tumour.

The films lead villains, a pair of Scottish thug brothers, don’t actually do a lot during the film, but are plenty scary as is – especially Joseph Gilgun as the chaotically-deranged Hydell. Peter Stormare is one of those actors who can lend gravitas to proceedings just by standing around and is content with appearing in B-grade-or-lower genre pictures, which helps.

A large part of the movie’s success has to do with MS-One being a convincing location, and the audience is effectively sucked in and feels trapped on the space prison with Snow and Emilie. The movie is heavily reliant on CGI and yes, the visuals aren’t as convincing as we’re used to and sometimes the reliance on the technology borders on egregious, but then again we’ve been spoilt by the likes of Avatar (this movie somehow works in the line “I see you”) and Transformers, and this film was made for a fraction of the budget of either.

Ultimately, that’s the core strength of this flick – it makes no bones about being a B-movie, and it’s refreshing to see a quality action film that isn’t overly processed and packaged. In not taking itself too seriously, it is strangely honest despite “stealing” from many other films. There’s an unpolished rough-around-the-edges charm, and once this is understood it is very easy to totally go along for the ride.

SUMMARY:  (Lock)out with the new, and back in with the old – relive the heyday of the mid-budget sci-fi actioner, complete with space fighter planes.

RATING: 3.5/5 STARS

Jedd Jong