BLADE RUNNERS
F*** meets Jackie Chan and the stars of Dragon Blade in Singapore
By Jedd Jong
From left: Choi Siwon, Mika Wang, John Cusack, Jackie Chan, Lin Peng, Adrien Brody |
A
week ahead of the Chinese New Year release date of Dragon Blade, the film’s cast arrives in Singapore to meet fans,
grace the red carpet premiere and speak to the press. It is a Tuesday morning
and F*** is at the Pan Pacific Hotel Singapore as Jackie Chan, John Cusack,
Adrien Brody, Choi Siwon, Lin Peng and Mika Wang enter the ballroom for the
press conference. Surely one of the most eclectic casts ever assembled, it’s
not every day that an Asian action star sits alongside an Oscar winner and a
K-pop singer to field questions from reporters.
Photographers go into frenzy,
jostling each other as they crowd around the stage to snap a shot of the
actors. “Please, sit down. Let’s have some order, thank you,” Jackie exhorts in
Mandarin. They obey. “Ah, now, much, much better!” he says, satisfied. Used to
wearing many hats, Jackie is the producer, star and action director on Dragon Blade. Jackie plays the
protagonist Huo An, a general of the Silk Road Protection Squad who is framed
for treason and forced to work in a slave labour camp on the outskirts of
China. He explains that he spent seven years preparing the film, which was
filmed in the harsh climes of the Gobi Desert. Jackie rattles off some
staggering figures: 350 crew members, 800 extras and 200 horses were required
to pull the movie off. “It doesn’t matter how difficult the filming process
was, if the audience enjoys the film, all the sweat, blood and tears are worth
it,” he says.
The involvement of Hollywood
actors Cusack and Brody is unprecedented in the history of Chinese cinema. For
both of them, it was a thrill to participate in a martial arts movie, seeing as
they grew up on classic Golden Harvest Hong Kong movies. “We were great Jackie
Chan fans, Bruce Lee fans, and saw all the martial arts movies so to be able to
work with Jackie as an actor but also a visionary choreographer of actions and
stunts, all the standards he puts in his movies, it was quite a thrill,” Cusack
says. He portrays Lucius, a Roman general in exile who meets Jackie Chan’s
character Huo An in the desert. Though initially wary of each other, Lucius and
Huo An put aside their differences to concentrate on rebuilding the outpost of
Wild Geese Gate.
Brody agrees, saying “this is my
childhood and adolescent fantasy, not only do we get to collaborate in a deeper
dramatic capacity, in a creative way, but in a martial arts sense, it is such a
thrill, it is beyond a thrill to learn from Jackie and to be able to play
together, it was really very exciting.” Brody plays the villain of the piece,
the tyrannical, power-hungry Tiberius, who has pursued Lucius across the
desert.
Jackie says that having worked
in movies for 54 years, he has gotten used to the pressure of making a movie
and that he believes that the old ways are often the best. “These days,
audiences enjoy films like the Transformers
movies and Spider-Man, as well as
wire-fu action movies,” he says, saying he is adamant about retaining
traditional ways of performing stunts, which he jokingly calls “stupid
methods”. “Today, in Hollywood movies, there would be a piece of green cloth
wrapped around the sword so it would look like the sword is slicing in real close
without hurting anybody. Our method is really stupid – we did it for real. I
feel that it’s a miracle that I can still be making action films at my age.”
Jackie reveals that Cusack hit him twice in the hand by accident while filming
a sword fight scene.
“Well, we had a very long fight
in the middle of the desert and sooner or later, you hit each other!” Cusack
says sheepishly. Cusack and Brody were able to offer their input on the English
segments of the script to ensure the dialogue sounded natural.
Jackie may not feel the
pressure, but actress Lin Peng certainly does. “Working with this director and
cast, the pressure was immense. In this film, I’m playing a fierce warrior
woman, so it was very demanding in terms of the martial arts. Jackie has very high
standards for martial arts, so the pressure was on,” she says.
Lin Peng has a scene where she
is seen nude from behind. Jackie explains that he gave her the option of using
a body double, but the actress decided to go the full Monty for real. Emphasising
that he didn’t intend on leering at her, Jackie says “only I could see her
naked body, but I assured her, ‘I’m not a pervert, I’m not looking at you in a
sexual manner’.”
When Lin suggests that this is probably the most challenging entry in
Jackie Chan’s recent filmography, Jackie admonishes her, saying all his movies
are challenging to make. “Every film I make is challenging, it’s just that you
don’t know it,” he counters. He elaborates on coordinating the casting of all
the extras, including the actors playing Roman soldiers and the multi-ethnic
schoolchildren. “They would say ‘it’s because of you, Jackie, that we’re here’.
We had to teach them all the basics of acting. We needed to take care of these
extras and create a friendly atmosphere for them. I’d make sure to eat with
them and chat with them, because I didn’t want their first experience on the
set of a Chinese film to be a negative one,” he says.
Jackie emphasises that no matter
how physically strenuous the shoot was for the actors, the crew had it worse.
“I always say, actors have to be considerate of and grateful to all the crew
members on set. Actors have it the easiest! They come to set late and leave
early. Anywhere I go, I say the crew has it the hardest and we all have to
recognise the contributions of those working behind the scenes.”
Relative newcomer Mika Wang
plays the other lead female character, a schoolteacher who is married to Huo
An. “This is my first time working with Jackie and I feel very lucky to have
the opportunity. Jackie has taught us so much, both in terms of filmmaking and
in life,” she says. When she describes the finished movie as “awesome”, Jackie
interjects with a rebuke again.
“Never call your own movies
‘awesome’.” Jackie says in a finger-wagging tone. “Say they’re ‘okay’. You have
to be humble always, that’s what I’ve taught you!”
“That sounds like insincere
flattery,” Jackie remarks.
East-meets-west films haven’t
exactly had a sterling track record – 47
Ronin, anybody? On what gives Dragon
Blade its, well, edge in this subgenre, Cusack says it’s that “the quality
control standards of Jackie and [director] Daniel Lee are incredibly high so
this a very top-of-the-line movie.” He states that the production value was on
par with that of the Hollywood blockbuster 2012,
which “played here in China.” Perhaps he’s just a little jet-lagged, we’ll
forgive the one-off geo-confusion – after all, Singaporeans are pretty used to
having their country mistakenly thought of as a part of China.
Jackie has lofty ambitions for
this film and is particularly enamoured with its message. He says the one
phrase that jumped out at him in the screenplay for Dragon Blade was “live for peace, turn foes into friends”. “Today’s
world is in such dire need of peace that I felt I had to make this movie,”
Jackie proclaims. “I felt that I had a mission with this film. With Chinese Zodiac, it was about the
conservation of antiques. In Dragon
Blade, it’s all about peace. I think everyone must have a sense of
responsibility to create peace. My hope is that everyone can watch this movie
and be touched by its message – Al Qaeda, the Middle East, the United States,
my hope is that everyone can watch this movie and learn the value of peace.” Terrorists
being compelled to put down their arms after watching a Jackie Chan film? You
never know.
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