FROM VEGAS TO MACAU II (赌城风云II)
Director : Wong JingCast : Chow Yun Fat, Carina Lau, Nick Cheung, Shawn Yue, Kimmy Tong, David Chiang, Angela, Jin Qiaoqiao, Yuan Qiao
Genre : Action/Comedy
Run Time : 110 mins
Opens : 19 February 2015
Rating : PG13 (Some Violence)
This Chinese New Year, the God of Gamblers has
returned to grace us mere mortals with his presence in this follow-up to last year’s
From Vegas to Macau. Just when he
thought he was home free, Master Ken (Chow) continues to be the victim of
criminal syndicate D.O.A.’s dogged pursuit. Master Ken’s estranged son Cool
(Yue) is on the case, tracking down D.O.A. accountaint Mark (Cheung). It turns
out that Mark was an old associate of Ken’s, Ken travelling to Bangkok to
rescue Mark and Mark’s young daughter from the clutches of his evil employers. In
the meantime, Ken attempts to rekindle his romance with former flame Molly
(Lau), the love of his life who has eluded him for years.
As a
Chinese New Year action comedy, a large amount of light silliness is to be
expected from From Vegas To Macau II.
The film packs in wanton amounts of slapstick tomfoolery – thankfully, Chapman
To’s grating comic relief sidekick does not return from the earlier film. That
said, director Wong Jing still finds new, stupefying ways to lower the bar. Master
Ken has a robot butler who provides stock “malfunctioning A.I.” hijinks, there
is a Muay Thai boxing sequence in which Chow Yun Fat does pencil rolls on the
boxing ring floor, an attempt at repelling deadly crocodiles by blowing bubbles
underwater…we’re barely scratching the surface of the profound idiocy here. Let
it not be said that Chow Yun Fat only gets humiliated in Hollywood films like Dragonball Evolution, because this is
more embarrassment than he’s ever had to endure in a film. One can only imagine
how anyone whose mental image of the superstar is as the suave charmer from The Man in the Net or the badass cop
from Hard Boiled will be able to
accept Chow subjecting himself to the myriad indignities in From Vegas to Macau II.
This
reviewer has a relatively high threshold for action comedy hijinks – after all,
he was one of very few critics to give the recent Mortdecai a positive notice. The gags in Mortdecai were juvenile, but there was an inner consistency to it.
Here, Wong Jing takes an “anything goes” approach. Perhaps it is too much to
ask for some method to this mo lei tau
(nonsense talk) madness. The tonal shifts are jarring to say the least – there
are goofy comedy sound effects within minutes of a brutal paramilitary assault
on an Interpol safe house involving several head shots. Audiences are
apparently meant to be moved by tender scenes between Mark and his young
daughter, with maudlin piano and strings playing in the background. The film’s
climactic scene is shockingly tragic and melodramatic, set to a weepy torch
song, leading into the end credits. Then, there’s a mid-credits scene featuring
a goofy surprise star cameo.
Carina
Lau, who starred alongside Chow Yun Fat in Let
the Bullets Fly and Tragic Hero,
plays the “one true love” of Master Ken’s life. Compared to all the other
nonsense in the movie, it’s relatively convincing that these two characters
shared a past. Naturally, the chemistry Chow and Lau share is undermined by a
plot twist later on. Nick Cheung is decent sidekick material but he is subjected
to nearly as much humiliation as Chow is. Shawn Yue replaces Nicholas Tse from
the previous film, who was unable to return because of scheduling conflicts. It’s
a non-descript cop role, there’s supposed to be some kind of deep rift between
Ken and Cool, but that’s forgotten quickly enough.
Wong
Jing further cements his reputation as China’s answer to Michael Bay by packing
From Vegas to Macau II with big
explosions and leery scenes of scantily-clad women. As if the film itself
wasn’t already obnoxious, the director appears in a cameo early on, during a
game of strip mahjong. And yet again, we see nothing of Las Vegas itself in a
film titled From Vegas to Macau II.
We’re thinking “From Bangkok to Macau”
might’ve worked a fair bit better.
Summary: Audiences will likely eat up this flailing,
tone-deaf, madcap comedy, reminding us that there’s no accounting for taste
when it comes to Chinese New Year cash-grab releases.
RATING: 1.5 out of 5
Stars
Jedd Jong
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