BEFORE I GO TO SLEEP
Director : Rowan Joffé
Cast : Nicole Kidman, Colin Firth, Mark Strong, Anne-Marie Duff, Dean-Charles Chapman, Jing Lusi, Rosie MacPherson
Rating : PG13 (Violence and Some Coarse Language)
Run time: 92 mins
The thought of losing one’s reliance on memory is a
frightening one. What would it be like not knowing the fundamentals of one’s
personal history and not knowing who to trust? In this psychological thriller,
Nicole Kidman plays Christine Lucas, a woman who suffers from anterograde
amnesia following an accident years ago. Christine loses all the memories she
has made in a given day when she wakes up the next morning, her mind
“resetting” to how it was in her early 20s. She is cared for by her husband Ben
(Firth), struggling with his wife’s predicament but choosing to remain strong
for her. However, Christine begins to doubt if she can trust Ben and begins
secretly seeing neuropsychologist Dr. Nasch (Strong) in the hopes that he can
devise a cure for her condition. However, the more Christine uncovers, the more
she loses track of as she awakes the next day.
Before I Go to Sleep is adapted from the
best-selling 2011 novel of the same name by S.J. Watson. Writer-director Rowan
Joffé pulls the viewer in with an efficient set-up – the premise justifies the
chunks of exposition delivered at the beginning of the film. It also allows Joffé
to play with the structure a little. However, it’s not long before all the
conventions used in the telling of this story become evident. We’ve seen
anterograde amnesia used as a plot device in films from Memento to 50 First Dates
and there’s a distinct reason why memory loss has become associated with
predictable soap opera-esque melodrama. There is an effort on Joffé’s part to
spin something new from this shop-worn trope and the film’s first act does establish
an air of plausibility and tension. However, by the time the climax rolls
around, Before I Go to Sleep has
leapt down the generic thriller rabbit hole, leaving head-scratching dangling
plot threads in its wake.
One
major thing Before I Go to Sleep has
going for it is that it’s very smartly cast, playing on audience expectations
associated with each of the three stars. Nicole Kidman’s performance as a
character who’s vulnerable but is not about to take what’s happening to her
lying down is sufficiently compelling and, for the first two acts of the film
at least, helps the audience overlook the inconsistencies in the narrative. Ideally,
a film of this type should make one go “what would I do in a situation like
this?” and Kidman does accomplish that. The film reunites Kidman with Colin
Firth, her on-screen husband from The
Railway Man. There’s a different dynamic here and Firth is able to strike a balance between sympathetic and suspicious even though the material doesn’t
give him quite enough to play with. Mark Strong is known for his ability to
play “sinister”, but he can just as easily play “steadfast, reassuring and
concerned”, which he does here. Anne-Marie Duff rounds out the cast as Claire,
a friend from Christine’s past whose appearance in the story calls events into
question. Given this, she is little more than a plot device.
As
far as whodunits go, Before I Go to Sleep
is far more straightforward than one would expect, the potential for truly
mind-bending psychological thrills left somewhat unmined. At its weakest
moments, the film strays into “Lifetime Movie of the Week” territory. During
the denouement, Edward Shearmur’s score goes into full-blown cliché thriller
mode, heavy on the “Psycho strings”.
All this said though, the film does manage to be absorbing and chilling in the
moment and it’s only upon later reflection that it begins to crumble. As much
as the logic of the twists and turns matter, it comes down just as much to how
entertaining it is. While the big reveal isn’t quite as ludicrous as that in
the Liam Neeson-starring amnesia thriller Unknown,
Before I Go to Sleep falls short of
the satisfyingly explosive thrills of that film.
Summary: It’s well-acted and initially engaging, but Before I Go to Sleep is ultimately
unremarkable psychological thriller fare, complete with the plot hole or two
that comes with middling entries in this genre.
RATING:
2.5 out of 5 Stars
Jedd Jong
Jedd Jong
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