ZOOTOPIA
Director : Byron Howard, Rich MooreCast : Ginnifer Goodwin, Jason Bateman, Idris Elba, J.K. Simmons, Jenny Slate, J.K. Simmons, Octavia Spencer, Bonnie Hunt, Don Lake, Alan Tudyk
Genre : Animation
Run Time : 109 mins
Opens : 25 February 2016
Rating : PG
Cat Stevens told us “baby,
baby it’s a wild world”, and the makers of this animated film have taken this
to heart. In a world populated entirely by a variety of anthropomorphic mammals,
Judy Hopps (Goodwin) is a principled, spirited young rabbit from Bunnyburrow.
She has her heart set on becoming a police officer, even though her parents
(Hunt and Lake) would prefer her to become a carrot farmer like them. Hopps
gets inducted into the Zootopia Police Department, but Chief Bogo (Elba) has
little faith in her abilities. While on the case of a missing otter, Judy
crosses paths with Nick Wilde (Bateman), a red fox con artist. They have to
overcome their natural animosity to work together in solving a spate of
mysterious disappearances, as societal tensions between “prey” and “predators”
bubble over.
Zootopia’s
marketing campaign seemed to indicate a film that might be too cutesy for some
audiences’ tastes, appearing like it would serve up an endless parade of
anthropomorphic animals performing adorable, amusing antics. To this reviewer’s
surprise, Zootopia ends up far deeper
than it initially appears, gamely and sensitively tackling the themes of
prejudice and tolerance in the context of an animated family film. Directors
Howard, Moore and Bush tread very fragile ground and ensure that Zootopia doesn’t come off as preachy or
painfully on-the-nose in delivering its message to impressionable kids. At the
same time, there’s plenty of wit and visual invention on display and the
liveliness of the presentation helps ease the audience into the surprisingly
mature allegory at the heart of the film.
Walt Disney Animation’s entirely computer-animated films
got off to a rocky start with Chicken
Little and Meet the Robinsons,
the studio still firmly stuck in Pixar’s looming shadow. With the likes of Wreck-It Ralph, Frozen and Big Hero 6,
suffice it to say that things have improved. The army of animators involved in
breathing life into Zootopia have
done a marvellous job, with impeccable fur textures and environmental effects
in every frame. The characters are expressive, with just the right blend of
human and animal traits combined to sell the anthropomorphism. There is a
thoroughness to the way the world has been conceived, with a distinct animism
to the architecture and plenty of clever visual gags emphasizing how animals of
drastically different scales and sizes co-exist in the same milieu. With the
pop culture allusions that include winks at The
Godfather and Breaking Bad for
the parents in tow, there’s a degree of Dreamworks-ness at work here, but it’s
not necessarily a bad thing.
This is essentially a buddy cop movie, of the “one’s a
cop and one’s not a cop” subset. It sticks very closely to established tropes:
our hero is a kind-hearted but tough straight arrow, her foil is a charming
rogue lacking in scruples, the police chief is unconvinced that the rookie has
what it takes, colourful characters including organised crime elements show up
and there’s a mystery to unravel. Even though Zootopia is comprised of familiar story components, the setting
does lend it a freshness.
Goodwin, who has a connection to Disney in the form of
starring as Snow White in the TV show Once
Upon a Time, gives Judy an eagerness that never crosses over into being
annoying. She’s literally wide-eyed and bushy-tailed. Bateman is a dab hand at
the smooth talker shtick, but there’s more to Nick than his conman façade and
Bateman and Goodwin deliver some moving emotional beats. Elba’s unmistakable
baritone is always a joy to listen to, and this year, we’ll also get to hear
his voice work in The Jungle Book and
Finding Dory.
Veteran
voice actor Maurice LaMarche turns in a side-splitting Marlon Brando impression
as Mr. Big, the arctic shrew mafia don. This reviewer was worried that
Shakira’s presence as the pop star Gazelle would be too gimmicky, but the
character is used judiciously and her main appearance is in a musical number
during the end credits. Some big laughs come courtesy of Raymond S. Persi, who
voices the sloth Flash. Kristen Bell has a vocal cameo as Flash’s colleague
Priscilla, a fun inside joke seeing as Bell is famously, endearingly obsessed
with sloths.
There’s certainly more than meets the eye with Zootopia. While it’s perfectly enjoyable
on the level of an animated adventure comedy with the jokes flying at a steady
pace, it also eloquently and thoughtfully comments upon issues of race and
diversity, without feeling like it’s merely hopping on some kind of social
justice bandwagon. The self-aware comedy sometimes veers into Shrek territory, but pop culture
references only account for a portion of the humour. While not on the same
level as last year’s Inside Out, Zootopia does a commendable job of
packaging challenging themes for younger audiences without being condescending
or tripping up over itself.
Summary: Entertaining,
funny, visually engaging and thought-provoking, Zootopia is so much more than silly talking animals.
RATING: 4
out of 5 Stars
Jedd Jong
