BATMAN V SUPERMAN: DAWN OF JUSTICE
Director : Zack Snyder
Cast : Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Gal Gadot, Holly Hunter
Genre : Action/Adventure/Fantasy
Run Time : 2 hrs 32 mins
Opens : 24 March 2016
Rating : PG13 (Some Violence)
The following review is spoiler-free.
Superheroes collide with
shattering force in the second film in the DC Extended Universe (DCEU). It has
been 18 months since Superman/Clark Kent’s (Cavill) battle with General Zod in
Metropolis. Clark has moved in with fellow reporter Lois Lane (Adams), and
Superman has gained both admirers and fervent detractors. Falling into the
latter camp is Gotham City’s Batman/Bruce Wayne (Affleck), billionaire
industrialist by day, ruthless vigilante by night. His butler Alfred (Irons)
advises against taking rash action, but Batman is convinced that Superman’s
power, if left unchecked, will lead to global annihilation. Also plotting to
take down Superman, albeit for more selfish purposes, is young tech mogul Lex Luthor
(Eisenberg). Luthor lobbies Kentucky senator June Finch (Hunter) to support his
R&D efforts in developing a deterrent to use against Superman, while Finch
calls for Superman to explain himself before the senate. In the meantime, Bruce’s
curiosity is ignited by the presence of Wonder Woman/Diana Prince (Gadot), an
elegant and capable warrior of yet-to-be-determined origin.
2013’s
Man of Steel left critics and fans
sharply divided, and it’s an understatement to say that this follow-up has
quite the burden to bear. There’s no question that DC is playing catch-up to
Marvel at the movies and there was the valid fear that Batman v Superman would be overstuffed to make up for lost ground. Batman v Superman does have apparent
flaws, but a conscious effort is made to incorporate a substantive depth that
the Marvel Cinematic Universe (MCU) doesn’t yet possess, outside of Netflix
anyway. Character motivations make plenty of sense, conflicts are given
context, major disagreements are not conveniently settled and the main
criticism of Man of Steel, the wanton
destruction caused or at least enabled by Superman, is directly addressed. Characters
wax philosophical on the nature of god and man, the implications of
nigh-unlimited power and notions of justice. This may come off as portentously
logy to some, but to others, these are icons worth delving into.
Much
has been made of the film’s 152-minute running time. Structurally, it is
front-loaded with plot, with the bulk of the action being slathered on thick
towards the conclusion. This reviewer did not feel the film was too long, and
the character development we get during the first two acts is very satisfying.
However, some audiences are bound to be fatigued and hard-pressed to care all
that much about the climactic battles if they’ve already tuned out while Bruce
is at the Batcomputer decrypting a hard drive. The Senator Finch subplot also
proves largely extraneous.
Full
disclosure: this reviewer is a massive DC Comics fan and is able to appreciate
director Zack Snyder’s interpretation of seminal imagery and plot points from
the source material, most notably The
Dark Knight Returns. Nothing in this film made us throw our hands up in the
air, crying “they just don’t get it!” Because of the sheer breadth of these
characters’ history in the comics, there’s no way to please everyone, and this
reviewer found that the interpretations of Batman, Superman and Wonder Woman
feel like they belong in the same cohesive universe.
Any
time Batman and Superman are in the same piece of media, the former is bound to
steal the limelight from the latter. Affleck’s casting was controversial, with
many deeming him insufficiently intimidating. This version of Batman is a
grizzled veteran who’s 20 years into his crime-fighting career, employs a dazzling
array of high-tech gadgets and is driven and obsessed. Good enough for us. Sure,
he displays a sadistic streak, branding criminals with his bat insignia, but
then again, Michael Keaton’s Batman shoved clowns into potholes, leaving them
to explode as he grinned. There are references to allies and rogues, Batman’s
relationship with Alfred gets sufficient play. Irons brings both the wry charm
and the gumption to stand up to Batman that are integral to the Alfred
character. The Bat-centric action sequences are strongly reminiscent of the
recent Arkham video-game series,
which this reviewer feels contained some of the best sequences of Batman in
combat ever presented.
Superman
is variously referred to as a “god” and a “devil” and Cavill continues to dig
for the humanity behind the iconography. While he might lack the acting chops to
flesh out a truly compelling Superman, particularly when pitted against Batman,
it’s good to see Clark juggle the heroics and his reporter day job. There’s
also the element of class warfare: Bruce is the scion of a wealthy family; Clark
was raised on a farm in Kansas and works the daily grind as a journalist. There
are some genuinely sweet moments that Cavill shares with Adams. While we do get
to see Lois in the thick of it doing a good deal of snooping around, the main
purpose the character serves is to get rescued and get rescued and get rescued.
Lois had a significant role in the proceedings in Man of Steel, but is side-lined a little because of everything else
occurring in the story here.
Eisenberg’s
performance is the biggest problem this reviewer has with the film. This is
meant to be a reinvention of Lex, traditionally more of a quiet schemer type. Lex’s
reworked back-story, which sees him as a young tech mogul who has reshaped his
father’s aging company into a Silicon Valley power player, is just fine by this
reviewer. Many of the character’s lines are clever and his actions and
appropriately devious. However, Eisenberg’s twitchy jumpiness is unable to
convey the deep-seated menace one of the most iconic DC supervillains should
inherently possess. His words and actions are despicable enough, but his
mannerisms diminish their impact.
Wonder
Woman’s presence here reminded this reviewer of Black Widow’s role in Iron Man 2. Since there’s so much
already afoot, the character’s first big screen appearance is more of a pointer
to her upcoming solo film, with several clever allusions to Diana’s roots in
Greek mythology being included. The moves she busts during the final fight, her
entry onto the battlefield heralded by Tina Guo’s rocking electric cello solo,
are sure to elicit cheers. That’s the standout bit of Hans Zimmer and Junkie
XL’s soundtrack for sure. Gadot does not have too much to do here, but her
blend of mystique and strength fits Wonder Woman just fine. The product
placement is toned down considerably from Man
of Steel; the most obvious instance being when Wonder Woman boards a
Turkish Airlines flight – a visible jet, if you will.
Many
were worried that that the film might spend too long setting up the upcoming Justice League movie, but it turns out
that we get fleeting glimpses of the superhero team’s future members; said
glimpses are tantalising and memorable. Just as the titular heroes grapple with
each other, this film grapples with doing these iconic characters justice while
serving up bombastic spectacle. It falters on several occasions, but this
reviewer appreciates how the DCEU is setting itself apart from the MCU. The
three-episode arc of Superman: The
Animated Series in which Batman and Superman first meet does have far more
of a focus than this film has, but this live-action event should not be written
off lightly and we’ve got our fingers crossed for how the DCEU proceeds from
here.
Summary:
Packed with as much thematic pondering as super-powered fisticuffs, Batman v Superman might be a chore for
some to sit through, but it’s clear the filmmakers have not taken this clash of
titans lightly.
RATING: 3.5
out of 5 Stars
Jedd Jong
