Showing posts with label Jamie Bell. Show all posts
Showing posts with label Jamie Bell. Show all posts

Wednesday, August 5, 2015

Fantastic Four

For F*** Magazine

FANTASTIC FOUR


Director : Josh Trank
Cast : Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Tim Blake Nelson, Reg E. Cathey
Genre : Comics/Action/Adventure
Run Time : 100 mins
Opens : 6 August 2015
Rating : PG (Some Violence)

Change is coming, whether we like it or not, with Marvel’s original superhero team getting a do-over in this reboot. Reed Richards (Teller) is a brilliant young misfit who has spent most of his life tinkering away on a teleportation device. Nobody really gets him, except for his best friend Ben Grimm (Bell). Dr. Franklin Storm (Cathey) sees the potential in Reed and awards him a scholarship to the Baxter Institute. There, he gets to work alongside Dr. Storm’s daughter Sue (Mara) and disgruntled genius Victor Von Doom (Kebbell) on a scaled-up version of his experiment. Dr. Storm enlists his hot-headed son Johnny (Jordan) to help out. Together, they crack the code to inter-dimensional travel. A journey to the alternate dimension, code-named “Planet Zero”, alters their physical forms in unfathomable ways. Reed, Sue, Johnny and Ben must learn to use their newfound abilities for good and defend the earth from Victor, who has become the monstrous villain Doom.


The first two theatrically-released Fantastic Four movies are generally regarded as goofy, disposable fluff - silly and cringe-worthy but not outright disasters. Therefore, it makes sense that director Josh Trank of Chronicle fame wanted to steer the Fantastic Four in a more credible direction. Here’s the thing: the Fantastic Four are inherently goofy – and that’s fine! They’re a dysfunctional sitcom family with superpowers and it’s right there in the title - “fantastic”. This take seems to want to be as mundane as possible. We’ve arrived at a point where comic book movies no longer need to be embarrassed of their roots, and films of this subgenre have achieved considerable success by embracing the source material and being smart with how they go about adapting the comics. Fantastic Four tries to reject the silliness but becomes all the sillier in spite of this. This is not an uneventful film, but it feels like one. It lacks the crucial element of escapism and entertainment a movie of this kind needs, the buzz-words of “serious” and “grounded” be damned.


What is even more frustrating is that the film does not fall flat on its face in abject failure. There are aspects that work and that are intriguing. The screenplay by Simon Kinberg, Jeremy Slater and Trank is formulaic, but attempts to give its titular characters a fair bit of character development and have them become more than cartoon characters. Unfortunately, all the exposition makes this seem tedious rather than credible. Also, the visuals are extremely underwhelming. Following the logic that the team’s outfits are “containment suits” rather than superhero costumes, they look very dull. Reed’s suit is supposed to have a homemade feel to it, but that doesn’t make the slinkies on his arms and legs any less ridiculous. Planet Zero feels like a walk-through attraction at a theme park rather than an immersive, treacherous landscape. The Thing doesn’t wear pants. We’ve all heard the jokes, but it does seem like it would’ve been really easy for Trank to avoid the ridicule aimed at this aspect by just giving him pants. Dr. Doom probably suffers the most, looking like he's covered in glowing gangrene and sporting a comically oversized hood. Many people have left the theatre after a superhero film thinking it would be really cool to own a collectible figure or statue of the characters as they appear in that film. It’s safe to say pretty much nobody will leave Fantastic Four thinking that.


One of the biggest aspects of this reboot that fans seized on was the cast. Nobody really resembled their comic book counterparts and on the whole, everyone just looked too young. To this reviewer’s surprise, the cast wasn’t too much of an issue. As an origin tale, perhaps it doesn’t hurt that they’re all a little younger. It may be a serious take on the whole, but there are still nice moments of levity when the team members are together. Miles Teller’s Reed is appropriately awkward and nerdy, just like Reed is in the comics. Kate Mara makes for a far more credible scientist than Jessica Alba did. The change of Johnny Storm’s ethnicity really wasn’t much of a sticking point for this reviewer, beyond feeling like an alteration merely for the sake of political correctness. Michael B. Jordan’s Johnny is impulsive and showy, but not to an annoying extent.


The casting that really doesn’t work is Jamie Bell as Ben Grimm. We can’t wrap our heads around how anyone looked at Billy Elliot/Tintin and said “there’s our resident big guy”. Apparently, he was cast because he’s the physical opposite of The Thing, which is kind of missing the point of the character, but that’s not Bell’s fault. Reg E. Cathey, a younger and more affordable Morgan Freeman, is a competent Obi-Wan-style mentor figure. Toby Kebbell’s Victor Von Doom barely makes an impact, which is a shame considering how compelling a villain he was as Koba in Dawn of the Planet of the Apes.


Marvel Studios has been churning out superhero blockbusters that have generally been well-received by both fans and critics and have managed to be upbeat on the whole while still packing in sufficient emotion and some depth. Fox wants to hang on to the film rights for the Fantastic Four – that’s the primary purpose this film was made and nobody is going to be fooled into thinking otherwise. We all know it – the property would be handled better at Marvel/Disney. It’s been said before but it bears repeating: The Incredibles is likely the best Fantastic Four movie we’re ever going to get. To go a little more recent, Big Hero 6 did the “science-loving pals become a superhero team” thing with more panache as well. This version is not terribly made, it has its moments and the cast does have pleasant chemistry with one another, but it’s still very much a disappointment.


Summary: This take on the Fantastic Four wants desperately to be regarded seriously, and for the most part, fails. That should’ve been a four-gone conclusion.

RATING: 2.5 out of 5 Stars

Jedd Jong

Wednesday, May 4, 2011

The Eagle

As published in F*** Magazine
THE EAGLE
2011 Release

Starring: Channing Tatum, Jamie Bell, Donald Sutherland
Directed by: Kevin Macdonald

            Having played American soldiers in Dear John and GI Joe: the Rise of Cobra, Channing Tatum now adds Roman centurion to his résumé. In this adaptation of Rosemary Sutcliff’s classic young adult novel The Eagle of the Ninth, Tatum plays Marcus Aquila, a young centurion whose father mysteriously disappeared in battle, along with 5000 men and the titular Eagle standard. With his servant Esca (Bell), Marcus sets off to reclaim the Eagle and restore honour to his family’s name.

            The Eagle isn’t what you’d normally see in theatres nowadays, and its old-fashioned sword-and-shield sensibilities are respite from the largely aimless fare flooding theatres at this time of the year. However, it ends up being an almost-epic – the period and tone isn’t quite perfect, the American accents too distracting, and the quest not absorbing enough.

            That’s not to say the movie doesn’t try hard, though. The battle sequences are intense and realistic, and the brutality does push the PG-13 rating a tad – expect beheadings, throat-slitting, stabbings and most upsetting, children dying onscreen. There are also sweeping locations in the form of Loch Lomond and the Scottish Highlands – but just not enough to sell the idea that this was indeed set in Roman times.

Try as he might, Channing Tatum is the farthest one can get from a Roman centurion. His performance is mostly unaffecting, but he excels in the action sequences and apparently suffered for his craft, sustaining a burn injury on his penis. Things were probably less painful for Jamie Bell, who is clearly the better actor of the two. As the slave rescued from the gladiatorial arena by Marcus, he provides a counterpoint for the more traditional action hero-style character of Marcus, and the uneasy bromance is played well between them both.

The movie does plod along, and is as predictable as they get. That’s one of the pitfalls of being a clear-cut “quest” movie, I suppose. Fight savages, run away, try to survive, repeat until Eagle is found. There’s not a lot in the way of a supporting cast either: Donald Sutherland and Mark Strong pop up for less than ten minutes respectively, but do lend whatever gravitas they can.

It doesn’t stand up to the classics of this genre and probably won’t find a very large audience amongst today’s moviegoers, but at least this tale of a bygone era of adventure, honour, loyalty and all that good stuff got made, and that’s got to be worth something.

RATING: 3/5 STARS

Jedd Jong