White House Down

For F*** Magazine

WHITE HOUSE DOWN

Director: Roland Emmerich
Cast: Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Joey King, Rachelle Lefevre, James Woods, Richard Jenkins, Jason Clarke, Jake Weber, Garcelle Beauvais, Michael Murphy
Genre: Action, Thriller
Run Time: 132 mins
Opens: 27 June 2013
Rating: PG13 (Some Coarse Language and Violence)

After taking a short detour into the realm of speculative costume drama with 2011’s Anonymous, director Roland Emmerich is back to doing what he does best: dealing out copious amounts of punishment to 1600 Penn. After all, he blew it to smithereens with an alien death ray in Independence Day and smashed an aircraft carrier into its south portico in 2012. It seems inevitable that the maven of large-scale cinematic destruction would eventually make a film centering on the D.C. Landmark.

U.S. Capitol Police Officer John Cale (Tatum), with his daughter Emily (King) in tow, heads to the White House for a job interview, hoping to become a Secret Service Agent. Carol Finnerty (Gyllenhaal), herself a Secret Service Agent and John’s former schoolmate, deems him unworthy. While taking a tour of the place after his rejection, John and Emily suddenly find themselves, along with other tourists and staffers, held hostage. A paramilitary group, comprising various dangerous miscreants and led by hardened mercenary Emil Stenz (Clarke), begins a hostile takeover of the White House. John finds himself having to protect President James Sawyer (Foxx), his daughter and the various others caught in the fray as a national crisis swiftly and violently unfolds.



A summer blockbuster best described as “Air Force One meets Die Hard, with Magic Mike teaming up with President Django” just has to be entertaining – no two ways about it. And by gosh, White House Down is all kinds of entertaining. Sure, its PG-13 rating might disappoint fans of hardcore action and it’s not going to start a renaissance of ‘80s-style action extravaganzas anytime soon, but this is the kind of movie which has the Presidential limousine drifting across the White House lawn with the baddies in pursuit. We can tell you there’s an audience for that. James Vanderbilt’s screenplay seems to have been written with just the right amount of self-awareness: the movie revels in its relative absurdity like a toddler in a ball pit and has a lot of fun with the premise, while stopping a safe distance short of mocking its audience.

Duelling movies aren’t new; moviegoers have borne witness to such battles as Dante’s Peak vs. Volcano, A Bug’s Life vs. Antz and Deep Impact vs. Armageddon. It’s only fair that White House Down be compared to Olympus Has Fallen, 2013’s other movie about a terrorist attack on the Executive Mansion. While it doesn’t have the cooler title, White House Down does have more lavish production values and being a Roland Emmerich picture, has lots of stuff going boom. White House Down also doesn’t take itself as seriously; at times, it’s almost a buddy movie but with the Prez as the buddy.



White House Down makes better use of its setting and the film features some very realistic facsimiles of the rooms, halls and other areas of 1600 Penn. However, the afore-mentioned PG-13 rating means the violence in this one is of a less visceral variety and while the computer-generated imagery is done better here, it’s still noticeable - particularly during the aerial sequences.

Roland Emmerich’s films are known as much for their “casts of thousands” as for their big-budget spectacle. While there aren’t as many characters here as in, say, 2012, there still are a good number of players to juggle. Tatum’s protagonist is idealistic rather than world-weary and he seems to be having more fun playing the action hero here than he did in the first G.I. JOE movie. Foxx and Tatum make for a decent action flick double act, even if Foxx just doesn’t come off as presidential enough, though he makes up for his lack of a dignified air with cheesy/enjoyable moments like handling a rocket launcher and yelling at terrorists not to touch his precious Air Jordans.



While this isn’t a realistic movie by any stretch, the villains in this one somehow come off as more credible than the North Korean terrorists in Olympus Has Fallen. Jason Clarke is believable, scary even, as a tough, scruffy former Delta Force soldier-turned cold-blooded gun for hire. Jimmi Simpson is a hoot as a campy, bespectacled “evil hacker” stereotype who declares “Skip Tyler is in!” and seizes control of the nation’s defense systems. King gets to be more than just the “kidnapped daughter” and is something of an important supporting character. While Gyllenhaal doesn’t get lots to do standing around in the Pentagon’s situation room, at least she isn’t relegated to the role of disposable love interest. Veteran actors James Woods and Richard Jenkins are also on hand to lend the actioner some gravitas, and Nicolas Wright as the comic relief tour guide is, refreshingly enough, not annoying.

Emmerich has never been a critic’s darling, but his films usually possess some sort of mass appeal and that’s in full force here. Many of his films are set in multiple locations across the world, but the focus on the titular location actually prevents the story from feeling scattershot, and outlandish, exciting action sequences are not in short supply. In this era of action thrillers being too self-serious, it’s good that this strikes an adequate balance between intense moments and levity so that it doesn't come off as a downer, but as a good popcorn-munchin’ time.

SUMMARY: As can be expected of a Roland Emmerich flick, White House Down isn’t nuanced or layered, but it’s blisteringly entertaining and serves up enjoyable summer blockbuster thrills by the spoonful.

RATING: 3.5 out of 5 STARS

Jedd Jong

Olympus Has Fallen

For F*** Magazine, Singapore

OLYMPUS HAS FALLEN 

Director: Antoine Fuqua
Cast:         Gerard Butler, Aaron Eckhart, Morgan Freeman, Melissa Leo, Rick Yune
Genre: Action, Drama
Run Time: 119 mins
Opens: 11 April 2013
Rating: NC16

Terrorists have overtaken the White House and held the President hostage?

“This is blasphemy! This is madness!”

“Madness? THIS! IS! WASHINGTON!”

Gerard Butler plays Mike Banning, formerly the head of the security detail for United States President Benjamin Asher (Eckhart). An incident in the film’s opening minutes forces Banning to leave the President’s side, but his more mundane existence working at the Treasury Department is rocked by a vicious surprise attack on 1600 Penn. The attack is spearheaded by the ruthless terrorist Kang Yeonsak (Yune), who has disguised himself as a member of the South Korean delegation to Washington. With the President and Vice-President indisposed, Speaker of the House Allan Trumbull (Freeman) takes on the mantle of acting Commander in Chief, and Banning is the only man he and the others in the Pentagon can trust. It’s Secret Service Agent Leonidas to the rescue.

It’s the general consensus among genre fans that action films aren’t quite what they used to be. Well, if you’re nostalgic for the likes of Under Siege, Executive Decision and of course Air Force One, Olympus Has Fallen will probably sate that appetite. Director Antoine Fuqua has delivered an old-school action thriller that isn’t restrained by a “PG-13” rating and can let loose with the gunfire, the bloodshed and some swearing for good measure. The “Die Hard on an X” formula seems to have fallen out of favour with the Hollywood powers that be – even the last three Die Hard films themselves didn’t have John McClane stuck in a confined space. But here, the trope is in full effect, with the one-man Special Forces team that is Mike Banning trapped in the besieged White House.

However, there’s probably good reason that filmmakers have edged away from such plotlines, mainly because we’ve seen it all before. Replace the North Korean villains with Middle-Eastern ones and you just might believe this was released in 1994. Unfortunately, the sub-par visual effects, especially in the opening aerial assault, make it look that way too, hurting that potentially harrowing sequence. The action flicks of the 90s may have been more subdued than those of the preceding decade, but they were often cliché-riddled and had their fair share of implausibilities to get around – as is the case here. Apparently, wanted terrorists can infiltrate the higher echelons of South Korean government, thus gaining access to one of the most-protected buildings in the world, evading every last background check along the way. There’s also a Secret Service agent who has turned traitor with the flimsiest excuse.

It is to Fuqua’s credit then that this reviewer was more often than not willing to overlook such contrivances. The director manages to keep the tension at a consistently high ebb, and in spite of the odd silly moment and the afore-mentioned bad visual effects work, the movie never falls into abject silliness. This is also thanks to Butler, in his element as the protagonist with a gun in his hand, a chip on his shoulder and clad in “plot armour” (enemy armies can fire endlessly at him but he’ll still live) like the action heroes of yore. He clearly should be doing more of this and less playing for keeps and dispensing ugly truths.

While there isn’t much in the way of characterisation to keep the action going, the supporting cast is top-notch. An action flick like this may not be the best use of their talents, but it benefits from their presence anyway. Freeman is not required to do much other than take charge and have terse conversations with Banning over the radio, but darn if he isn’t cool as always doing it. With his lantern jaw, gritted teeth and blue eyes, Eckhart embodies the archetypical “all-American Prez” image. As the supervillain, Rick Yune is nowhere near the likes of Gary Oldman or Tommy Lee Jones, but gets the job done as our two-dimensional force of evil.

Yes, Olympus Has Fallen is brutal, exciting and has its share of white-knuckle moments, but its old-school 90s action flick pedigree is often a double-edged sword, as audiences have come to expect something with perhaps a little more sophistication. Still, the film is enjoyably earnest, a throwback without the smart-alecky winks and nudges and there’s Gerard Butler taking names and kicking ass. Just not down bottomless wells.

SUMMARY: An action thriller right out the 90s. Straightforward, rough around the edges and it isn’t the pinnacle (or Mount Olympus, as it were) of action flicks, but it’s entertaining and intense where it counts.

RATING: 3 out of 5 STARS

Jedd Jong