TRIPLE 9
Director : John HillcoatCast : Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Clifton Collins Jr., Aaron Paul, Norman Reedus, Kate Winslet, Woody Harrelson, Gal Gadot, Teresa Palmer
Genre : Action/Thriller
Run Time : 115 mins
Opens : 17 March 2016
Rating : M18 (Coarse Language, Nudity and Violence)
Out on the streets, it’s never
black and white – though sometimes it is red, owing to the dye packs that
permanently stain stole cash. Oh, the red is also often blood. Criminals Michael
Atwood (Ejiofor), Russell Welch (Reedus) and his brother Gabe (Paul), along
with corrupt cops Marcus Belmont (Mackie) and Franco Rodriguez (Collins), have
been committing armed bank robberies. The crew is working for Irina Vlaslov
(Winslet), the wife of a powerful Russian Mafioso. Michael has a son with
Irina’s sister Elena (Gadot), further complicating matters. To pull off another
job, Marcus and Franco suggest calling in a code “999”, i.e. killing a cop to
distract the rest of the police force so the crew can break into a government
office and steal data concerning Irina’s husband. Their target is Chris Allen
(Affleck), Marcus’ new partner who has transferred from a different district.
Chris’ uncle happens to be Sgt. Det. Jeffrey Allen (Harrelson), who is tracking
down the bank robbers. The stage is set for all-out war on the streets of
Atlanta, Georgia.
First off, we would like to get that “oh, this stars
James Lye, Wong Li-Lin, Lim Yu Beng and Mark Richmond” joke out of the way. If
you were watching Singaporean television in the 90s, you know what we’re
talking about. Anyway, Triple 9’s
screenplay, written by Matt Cook, landed on the 2010 Black List of most-liked
scripts making the rounds in Hollywood and has finally been produced. At the
helm is John Hillcoat, who directed the revisionist western The Proposition and the prohibition-era
bootlegging drama Lawless. Triple 9 is a scuzzy, grimy crime
thriller which liberally borrows from the likes of Training Day and Heat. The
action sequences are messy and frenzied; our protagonists are mostly criminals
who don’t get along; we deal with the theme of honour (or lack thereof) among thieves
and there’s an abundance of street-level violence.
There are many points where Triple 9’s plot feels like it comes straight out of a direct-to-DVD
action flick starring 50 Cent and a pre-Mr.
Robot Christian Slater. Hillcoat has managed to assemble an impressive cast
and it’s impossible not to have high expectations looking the list, which
comprises an Oscar winner, Oscar nominees and dependable character actors. Sometimes,
seeing a name actor covered in tattoos and scars, all sweaty and grimacing
while toting a gun, can feel like we’re just watching a pampered star play
dress-up. For the most part, Triple 9
does feel fairly authentic, with the city of Atlanta actually getting to play
itself instead of doubling for some other locale. Nothing feels prettied up,
nothing’s slick and shiny and the situations are overblown but not ludicrously
so.
As the straight-arrow rookie with a bit of a chip on his
shoulder, Affleck is well cast and a scene in which Chris threatens a local
Cartel bigwig without knowing what he’s getting into does demonstrate that the
character is out of his element. Unfortunately, Ejiofor is harder to buy as a
tough-talking thug. He has played sinister characters before, but he’s unable
to fully shake off that innate nobility that has served him so well in other,
very different roles. It comes with the territory of crime movies, but the
members of the team are insufficiently distinct and can blur together after a
while. Of the group, Collins is actually the most convincing as the
unscrupulous, two-faced Rodriguez. Unfortunately, Paul and Reedus don’t bring
too much to the table beyond “hey, Jesse Pinkman and Daryl Dixon are brothers!”
Winslet chomps the drab scenery as the main villain of
the piece, a stereotypical mob wife who’s been handed the reins of underworld
power while her husband sits it out in a Russian prison. It’s a character even
more ridiculously evil than Jeanine Matthews in Divergent and Insurgent. Gadot
and Palmer are there to strut about in abbreviated outfits, providing eye candy
and doing little else. Harrelson also doesn’t get a chance to work his offbeat,
quirky charm in a role that could’ve been played by pretty much anyone.
Triple 9 is a
disappointingly generic crime flick that is elevated ever so slightly by its
formidable cast. Not too much of a spin is put on the crime thriller formula
and the would-be shocking twists and turns in the last act fail to have much
impact at all. Hillcoat keeps things moving along and consciously avoids
stretches of exposition, but that has the side effect of making the connections
between the characters a little confusing to keep track of. At 115 minutes,
it’s also a mite too long and could do with some tightening up. But if you’ve a
taste for this sort of thing, you’ll probably find Triple 9 to be a competent thriller set on the mean, mean streets.
Summary:
It fails to live up to the expectations generated by that cast list, but Triple 9 has enough brutal thrills and
cops-and-robbers intrigue to scrape by.
RATING: 3
out of 5 Stars
Jedd Jong
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