ZOOLANDER 2
Director : Ben StillerCast : Ben Stiller, Owen Wilson, Will Ferrell, Penélope Cruz, Kristen Wiig, Fred Armisen, Cyrus Arnold, Sting, Christine Taylor, Olivia Munn, Benedict Cumberbatch, Justin Bieber, Ariana Grande, Billy Zane
Genre : Comedy
Run Time : 102 mins
Opens : 3 March 2016
Rating : NC16 (Sexual References)
It’s been 15 years since we
last saw Derek Zoolander (Stiller) strut his male supermodel stuff. Does that
Blue Steel still offer the same structural support? Personal tragedy has driven
Zoolander into hiding. A terrible accident that claimed the life of
Zoolander’s wife Matilda (Taylor) also damaged the face of Zoolander’s friend
and fellow model Hansel McDonald (Wilson), additionally damaging the pair’s friendship. Interpol
Fashion agent Valencia Valentina (Cruz) is investigating a string of
assassinations in which the pop star victims snap pre-death selfies that match
Zoolander’s trademark “Blue Steel” expression. In Rome, she ropes in Derek and
Hansel to assist her. The duo is in Italy as the guests of avant garde designer Alexanya Atoz (Wiig) and are hoping to make a
comeback on the runway. Zoolander discovers that his estranged son Derek Jr.
(Arnold), residing at an orphanage in Rome, is the target of an ancient
conspiracy and that Zoolander’s long-time nemesis Jacobim Mugatu (Ferrell), now
locked away in maximum security fashion prison, has a hand in this evil plot.
2001’s Zoolander
has attained semi-cult status in that it’s too widely known among mainstream
filmgoers to be an actual cult movie, but is still sufficiently oddball in its
sensibilities. People still quote the catchphrases and attempt the Blue Steel
pout. There has been demand for a sequel, but not “tear down the studio gates”
levels of demand. As unlikely a comparison it may be, Zoolander 2 reminds this reviewer of 300: Rise of an Empire and Sin
City: A Dame to Kill For. To put things in perspective, the DVD of Zoolander has Stiller in character
narrating how an interactive DVD menu works. With Zoolander 2, it’s more of the same, but ends up being too little
too late. Most involved seem to be committed to the silliness, but the vibe
that Stiller has switched on “autopilot” mode is hard to shake. It turns out
that the flashy production values and a veritable conga line of celebrities
making guest appearances serve to distract from the lack of any real invention
or comic energy, which is a little sad to realise.
We have nothing against stupidity in general and if a
comedy wants to go all-out, full-tilt dumb in the name of entertainment, we’re
all for it. However, it’s been repeatedly proven that one gets more mileage
with wit, rather than witlessness, as fuel in the comedy gas tank. Zoolander 2 is not completely unfunny
and there are attempts, however half-hearted, at satire – a “completely
biodegradable” boutique hotel boasting “farm to table wi-fi” pokes fun at
hipster sensibilities. Benedict Cumberbatch’s cameo as the androgynous,
unclassifiable modelling sensation known as “All” dares to step on a few toes
and laugh in the face of political correctness, but it lacks the same impact that
Robert Downey Jr. in blackface had in Stiller’s Tropic Thunder. Tropic
Thunder had something to say about Hollywood’s excesses while being
outrageous and funny. With Zoolander 2,
it seems like “when unable to write joke, default to cameo” was the mandate carved
on the production office wall.
Director/star/co-writer/co-producer Stiller has
repeatedly made us wonder “is it still a vanity project if the person whose
vanity it serves repeatedly makes a fool of himself?” Short answer: yes. Those
who were charmed by Zoolander’s profound lack of intelligence the first
go-round will likely be fine with Stiller’s reprisal of the role, seeing how he
snaps back into it with such ease. Wilson’s performance lacks energy, but
perhaps that can be explained away as Hansel’s more laid-back demeanour. The
Oscar-winning Cruz is not exactly known for her slapstick comedy chops, but she
gamely tackles the part of the eye candy cop on a mission, displaying sexy
confidence in spades as she embraces the silliness. Ferrell has to share
scenery-chewing duties with Wiig, who devises an unintelligible,
non-specifically European accent for her character.
If you’re up for a game of “name the cameo” with a group
of pals, Zoolander 2 will be a
rewarding experience. Otherwise, it’s close enough to the original but too
engineered and lacking in spontaneity to reach any heights of humour. When the
jokes (zoo)land, they land, but when they don’t, they flop out of the screen
with a deafening, awkward thud. This time, the Magnum’s chamber is half empty,
and a couple of the remaining rounds are blanks. Still, when it comes to
comedies running on unadulterated stupidity, we’ll take this over those painful
Friedberg and Seltzer ‘parody’ movies (Epic
Movie, Meet the Spartans, Disaster Movie et al) any day of the week.
Summary: If
it’s wanton shenanigans and famous faces you’re after, Zoolander 2 has got you covered. But when it comes to actually
inspired humour, this sequel comes up disappointingly short.
RATING: 2.5
out of 5 Stars
Jedd Jong
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