Showing posts with label Fantastic Four. Show all posts
Showing posts with label Fantastic Four. Show all posts

Wednesday, August 5, 2015

Fantastic Four

For F*** Magazine

FANTASTIC FOUR


Director : Josh Trank
Cast : Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell, Tim Blake Nelson, Reg E. Cathey
Genre : Comics/Action/Adventure
Run Time : 100 mins
Opens : 6 August 2015
Rating : PG (Some Violence)

Change is coming, whether we like it or not, with Marvel’s original superhero team getting a do-over in this reboot. Reed Richards (Teller) is a brilliant young misfit who has spent most of his life tinkering away on a teleportation device. Nobody really gets him, except for his best friend Ben Grimm (Bell). Dr. Franklin Storm (Cathey) sees the potential in Reed and awards him a scholarship to the Baxter Institute. There, he gets to work alongside Dr. Storm’s daughter Sue (Mara) and disgruntled genius Victor Von Doom (Kebbell) on a scaled-up version of his experiment. Dr. Storm enlists his hot-headed son Johnny (Jordan) to help out. Together, they crack the code to inter-dimensional travel. A journey to the alternate dimension, code-named “Planet Zero”, alters their physical forms in unfathomable ways. Reed, Sue, Johnny and Ben must learn to use their newfound abilities for good and defend the earth from Victor, who has become the monstrous villain Doom.


The first two theatrically-released Fantastic Four movies are generally regarded as goofy, disposable fluff - silly and cringe-worthy but not outright disasters. Therefore, it makes sense that director Josh Trank of Chronicle fame wanted to steer the Fantastic Four in a more credible direction. Here’s the thing: the Fantastic Four are inherently goofy – and that’s fine! They’re a dysfunctional sitcom family with superpowers and it’s right there in the title - “fantastic”. This take seems to want to be as mundane as possible. We’ve arrived at a point where comic book movies no longer need to be embarrassed of their roots, and films of this subgenre have achieved considerable success by embracing the source material and being smart with how they go about adapting the comics. Fantastic Four tries to reject the silliness but becomes all the sillier in spite of this. This is not an uneventful film, but it feels like one. It lacks the crucial element of escapism and entertainment a movie of this kind needs, the buzz-words of “serious” and “grounded” be damned.


What is even more frustrating is that the film does not fall flat on its face in abject failure. There are aspects that work and that are intriguing. The screenplay by Simon Kinberg, Jeremy Slater and Trank is formulaic, but attempts to give its titular characters a fair bit of character development and have them become more than cartoon characters. Unfortunately, all the exposition makes this seem tedious rather than credible. Also, the visuals are extremely underwhelming. Following the logic that the team’s outfits are “containment suits” rather than superhero costumes, they look very dull. Reed’s suit is supposed to have a homemade feel to it, but that doesn’t make the slinkies on his arms and legs any less ridiculous. Planet Zero feels like a walk-through attraction at a theme park rather than an immersive, treacherous landscape. The Thing doesn’t wear pants. We’ve all heard the jokes, but it does seem like it would’ve been really easy for Trank to avoid the ridicule aimed at this aspect by just giving him pants. Dr. Doom probably suffers the most, looking like he's covered in glowing gangrene and sporting a comically oversized hood. Many people have left the theatre after a superhero film thinking it would be really cool to own a collectible figure or statue of the characters as they appear in that film. It’s safe to say pretty much nobody will leave Fantastic Four thinking that.


One of the biggest aspects of this reboot that fans seized on was the cast. Nobody really resembled their comic book counterparts and on the whole, everyone just looked too young. To this reviewer’s surprise, the cast wasn’t too much of an issue. As an origin tale, perhaps it doesn’t hurt that they’re all a little younger. It may be a serious take on the whole, but there are still nice moments of levity when the team members are together. Miles Teller’s Reed is appropriately awkward and nerdy, just like Reed is in the comics. Kate Mara makes for a far more credible scientist than Jessica Alba did. The change of Johnny Storm’s ethnicity really wasn’t much of a sticking point for this reviewer, beyond feeling like an alteration merely for the sake of political correctness. Michael B. Jordan’s Johnny is impulsive and showy, but not to an annoying extent.


The casting that really doesn’t work is Jamie Bell as Ben Grimm. We can’t wrap our heads around how anyone looked at Billy Elliot/Tintin and said “there’s our resident big guy”. Apparently, he was cast because he’s the physical opposite of The Thing, which is kind of missing the point of the character, but that’s not Bell’s fault. Reg E. Cathey, a younger and more affordable Morgan Freeman, is a competent Obi-Wan-style mentor figure. Toby Kebbell’s Victor Von Doom barely makes an impact, which is a shame considering how compelling a villain he was as Koba in Dawn of the Planet of the Apes.


Marvel Studios has been churning out superhero blockbusters that have generally been well-received by both fans and critics and have managed to be upbeat on the whole while still packing in sufficient emotion and some depth. Fox wants to hang on to the film rights for the Fantastic Four – that’s the primary purpose this film was made and nobody is going to be fooled into thinking otherwise. We all know it – the property would be handled better at Marvel/Disney. It’s been said before but it bears repeating: The Incredibles is likely the best Fantastic Four movie we’re ever going to get. To go a little more recent, Big Hero 6 did the “science-loving pals become a superhero team” thing with more panache as well. This version is not terribly made, it has its moments and the cast does have pleasant chemistry with one another, but it’s still very much a disappointment.


Summary: This take on the Fantastic Four wants desperately to be regarded seriously, and for the most part, fails. That should’ve been a four-gone conclusion.

RATING: 2.5 out of 5 Stars

Jedd Jong

Monday, March 31, 2014

Marvel-less: Top 10 Movies Marvel Would Rather We Forget

As published in Issue #51 of F*** Magazine







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Text:

MARVEL-LESS
Top 10 movies Marvel would rather we forget
by Jedd Jong 16/3/14



Phase II of the Marvel Cinematic Universe is in full swing, with Captain America: The Winter Soldier in theatres now and Guardians of the Galaxy arriving in August. The rights to certain Marvel properties still reside with external studios: Spider-Man’s at Sony and Fox have X-Men and the Fantastic Four. There was a time before the cinematic House of M had a complete roof, and here F*** takes a look at some of the spottier entries on the Marvel movie track record, including made-for-TV movies and one that wasn’t even released. Prepare to cringe and thank the comic book movie gods that 2008’s Iron Man worked out as well as it did!

HOWARD THE DUCK
1986

A quirky, subversive creation of writer Steve Gerber and artist Val Mayerik, it’s safe to say that Howard the Duck is among the weirder Marvel characters, an anthropomorphic duck who provides social commentary and partakes in parodies of other comics. The Howard the Duck movie was a notorious failure, often considered one of the worst films ever made, and is also seen by many as George Lucas’ “start of darkness” years before the Star Wars prequels came along. Produced by Lucas and directed by Willard Huyck, who along with his wife Gloria Katz knew Lucas from film school, Howard the Duck was originally planned as an animated film, though it’s hard to say if it would have turned out better as one. The end result was baffling, alienating, disturbing, grotesque and nonsensical all at once, filled with upsetting sexual overtones between the title character and Beverly, a young aspiring singer played by Back to the Future’s Lea Thompson. Imagine how many parents were aghast, thinking it would be a great idea to bring their kids to see the latest movie “from the creator of Star Wars”. As Steven Tyler once said, “Well, hellfire, save matches, f*** a duck and see what hatches!”

CAPTAIN AMERICA
1979

Everyone knows the Incredible Hulk TV series starring Lou Ferrigno and Bill Bixby, but around the same time, Marvel attempted to launch TV shows starring some of its other heroes to not quite as much (okay, very little) success. 1979’s Captain America starred cult movie actor Reb Brown (remember Yor, The Hunter from the Future?) in the title role and was one of those “in-name-only” adaptations. Here, Steve Rogers wasn’t a World War II hero defrosted from an icy slumber, but a former Marine caught in a road accident. He was then injected with a super-serum created by his late father, who was a patriotic WWII-era government agent nicknamed “Captain America”. Behold the motorcycle helmet, semi-transparent shield and that hilarious bike! There were also no characters from the comics in the film besides Cap himself. This was followed up with a sequel the same year, entitled Captain America II: Death Too Soon. Reb Brown shared this anecdote from the set: “I came out of my motor home and I was in full Captain America regalia, had my shield and everything. There was a drunk sitting on the wall He looks up at me, falls off the wall and says 'I gotta stop drinking!’ He climbs back up on the wall, sees that I'm real, and says 'well, maybe not.'" You might need some of the hard stuff to sit through this one, that’s for sure.

CAPTAIN AMERICA
1990

Before Chris Evans became the star-spangled man, there was yet another attempt at bringing Captain America to the movies in the form of this schlocky, low-budget flick directed by B-movie veteran Albert Pyun. Donning the red white and blue was Matt Salinger, son of Catcher in the Rye author J. D. Salinger. The Red Skull became a fascist Italian operative instead of a Nazi one, and was apparently behind the assassination of Martin Luther King, Jr., JFK and Bobby Kennedy. In an interview with GQ Magazine, Salinger revealed “in my costume they gave me these ears—they weren't my real ears—they just had this plastic that was part of the costume, these rubber ears. And there were some shots where they just looked so bad. Really kind of cheesy.” He has been very good-natured about his participation in this unfortunate flick, saying “am I bitter? Not at all; it was fun and not that many people get to play a superhero.” The show was arguably stolen by that spy who comes in to congratulate government scientists on their success with the super soldier project, only to abruptly pull a pistol, yell “HEIL HITLER!” and shoot the guy. It’s that kind of movie.

THE PUNISHER
1989

Frank Castle is probably the anti-hero most comic book readers think of when they hear the term “anti-hero”. Succinctly described as “Batman if he didn’t have that hang-up about using guns”, the Punisher has appeared in three films so far, this one being the first. Dolph “I must break you” Lundgren, fresh off playing He-Man in the Masters of the Universe film, played Frank Castle – sans iconic skull logo. Co-writer Boaz Yakin fought hard for the preservation of that aspect, but it was deemed “too comic book-y”, this omission one of several areas in which this take on the Punisher strayed too far from the source material. He also lived in the sewer. However, taken on its own, it’s a half-decent vigilante thriller and works great as something to pop into the DVD player when you’re feeling nostalgic for cheesy late-80s action mayhem. There are entertaining stereotypical villains too, with Jeroen Krabbé as a Mafia kingpin and Kim Miyori as a Yakuza dragon lady. The Punisher also features one of the best Lundgren one-liners outside of that Rocky IV line: Frank’s ex-partner Lt. Berkowitz (Louis Gossett, Jr.) asks Frank “what the f*** do you call 125 murders in five years!?" to which he replies “work in progress.”

PUNISHER: WAR ZONE
2008

Following the mildly successful 2004 Punisher film starring Thomas Jane, it was decided that instead of a sequel, a reboot would be released, produced under the “Marvel Knights” banner. Ray Stevenson replaced Thomas Jane in the skull-emblazoned fatigues, and Dominic West played the supervillain Jigsaw. Released in December, it was a critical and commercial failure, but the story behind its making does earn Punisher: War Zone a second look, and the likes of comedian/actor Patton Oswalt have become vocal proponents of the film. It’s messy, violent, intense and theatrical; the late Roger Ebert deemed it well-made but “disgusting”. Director Lexi Alexander wanted to prove that female directors could take on big action flicks too and as a former World Point Fighting and Karate champion who played Kitana in the Mortal Kombat: Live Tour arena show, she’s one tough cookie. Her first short film was also an Oscar-nominated one. Turns out the director is probably more interesting than the Punisher: War Zone film itself. Ray Stevenson has also been a good sport about it, parodying his role by voicing the Punisher in kids’ cartoon The Super Hero Squad Show, in which the Punisher likens crime to Brussels sprouts on a plate of mac and cheese.

NICK FURY: AGENT OF S.H.I.E.L.D.
1998

In the current Marvel Cinematic Universe, pop cultural icon and all-around badass Samuel L. Jackson dons the eye patch as the head honcho of clandestine organisation S.H.I.E.L.D. Before him though, none other than the Hoff played Nick Fury in a television movie on Fox, based on the Earth-616 incarnation of Fury before the Ultimates one (modelled on Jackson himself) came along. In this 90s cheese-fest, retired super-agent Fury is called back into action when terrorist organisation HYDRA rears its head (or heads, rather), with La Contessa Valentina Allegra de la Fontaine (Lisa Rinna) and Madame Hydra (Sandra Hess) as the main threats. This travesty was written by David S. Goyer, who - *gulp* - seems to be in charge of shaping the DC cinematic universe, having written Man of Steel. Not content with chomping cigars and chewing scenery, David Hasselhoff, who let’s face it is no more than a pop culture punchline at this point, came forward to say he thinks he’s still a better Fury than Sam Jackson. "Stan Lee came on the set and told me all about Nick. He said 'You're the ultimate Nick Fury'. He gave me the greatest compliment ever,” Hasselhoff bragged. "I was hoping to have played him in the movie. And then Samuel L. Jackson came in and he was a great Nick Fury but he wasn't really the consummate Nick Fury, the way he was written. And I think that's a shame because he's a great character and a funny character… I'm hoping to do it again sometime,” he continued, blaming “whoever directed (The Avengers)”. Dream on, Mitch.

MAN-THING
2005

Now, stop snickering kids; we’ve all heard the “Giant-Size Man-Thing” jokes before. The character of Dr. Ted Sallis was a biochemist transformed by a mixture mystical swamp-dwelling forces and an attempted recreation of the Super Soldier serum into the mossy monster. Man-Thing’s first appearance in the May 1971 issue of Savage Tales predates DC’s similar creation Swamp Thing by two months, but a Swamp Thing movie was released in 1982 (directed by horror meister Wes Craven) while Man-Thing had to wait until 2005. The telefilm changed Ted Sallis from a scientist to a Native American Shaman, also excluding the character’s connections to A.I.M. (recently featured in Iron Man 3) and the super-soldier serum, instead opting for a more straightforward, schlocky creature feature approach. It was intended as a video release, then planned as a theatrical release during the 2004 Halloween season but bumped back to debuting on video and the Sci Fi Channel. Legend has it that half the audience up and left during a test screening of this film. Director Brett Leonard attempted to insert some shout-outs to comic book creators Steve Gerber, Mike Ploog and Val Mayerik with characters named after them (the last played by Leonard himself), but it was probably cold, wet, slimy comfort to any fans of the Man-Thing comics.

THE TRIAL OF THE INCREDIBLE HULK
1989

We’ve mentioned the 1978 Incredible Hulk television show, and after it concluded, there were three made-for-TV films produced to keep the Hulk name smashing on: The Incredible Hulk Returns (which is where that picture of Stan Lee, Hulk and Thor at the top of this article comes from), The Trial of the Incredible Hulk and The Death of the Incredible Hulk. The Incredible Hulk Returns was intended as a backdoor pilot for a Thor TV series, set to star Eric Kramer in the title role. Likewise, The Trial of the Incredible Hulk was to have launched a TV series for Marvel’s resident lawyer/vigilante, Daredevil. Neither of those shows materialised. Matt Murdock/Daredevil was played by Rex Smith, with his arch-nemesis Kingpin (sporting beard and hair unlike his comics counterpart and referred to only as “Wilson Fisk”) played by John-Rhys Davies. Daredevil’s appearance was intentionally quite different from that in the comics: an all-black, not red, suit, no devil horns on the cowl and an absence of the Double-D insignia on his chest. Spoiler alert: the “trial” of the title only takes place in a dream sequence, as “trial” is supposed to have a double meaning – like in “trials and tribulations”. A pretty disappointing, supposedly clever move. This is also noteworthy as the first Marvel movie in which Stan Lee made a cameo appearance, as the jury foreman in the Hulk’s “trial”.



GHOST RIDER: SPIRIT OF VENGEANCE
2012

Lifelong comic book fan Nicolas Cage (the “Cage” in his stage name is taken from Marvel Comics character Luke Cage) leapt at the chance to play Johnny Blaze/Ghost Rider in the 2006 film. While campy and forgettable, it’s far from as hated as the fiery bike wreck of a sequel, Ghost Rider: Spirit of Vengeance. Cage was the only returning cast member, with Mark Neveldine and Brain Taylor of Crank infamy taking on directorial duty. Set eight years after the events of the first movie, Spirit of Vengeance sees Johnny Blaze playing guardian angel to a young boy hunted by the demon Roarke (Ciarán Hinds). While promoting the film, Cage promised “moments that are for lack of a better word: freaky. You are going to be like, ‘Did I just see that happen?’ Hopefully it will mess with your mind, which is what I’m excited about.” Scenes like the Ghost Rider urinating a stream of fire and Cage exclaiming “he’s scraping at the door, scrapin’ at the doooaah!!” In our review of the film, we gave it 0.5 out of 5 stars, not even Idris Elba in a supporting role as a French monk could salvage this.

Said our writer, “It's not often that writing a movie review feels like rendering a public service, but in this case, we feel like superheroes saving humanity from evil when we state this warning: do not watch this movie.”

"Personally, I'm done," Cage said when asked if he would return to the role. Like Johnny probably felt after peeing fire, we can say we’re relieved.

THE FANTASTIC FOUR
1994

The 2005 Fantastic Four film and its 2007 sequel, both directed by Tim Story, are fluffy throwaway flicks, if not awful ones, and are often dismissed. But the Fantastic Four movie that has stayed in the collective geek consciousness is the one that wasn’t even released. Produced by Z-movie king Roger Corman and directed by music video director Oley Sassone, this curiosity exists just so production company Constantin Film could cling to the movie rights for the Fantastic Four property, as they were due to revert to Marvel soon. Stan Lee claimed that “the movie was never supposed to be shown to anybody." Co-producer Bernd Eichinger has long disputed Lee’s claims. What we know is that this was a movie that was essentially a “watch this space” notice, hastily slapped together and boasting special effects that would be dated in 1964, let alone 30 years later, Johnny Storm in flame-on mode essentially a cartoon. The bootleg has been a comic convention staple and has made its rounds on the internet. Filmmaker Marty Langford’s exposé documentary Doomed! The Untold Story of Roger Corman's The Fantastic Four is due out later this year. We’re honestly more excited for that than for the actual remake.




Tuesday, November 16, 2010

My Least Favourite Movies

"Least favourite films" is always an interesting topic of discussion - ranting can sometimes be more passionate than raving, after all. Regrettably, I have more than a few on my list.


Rendering power courtesy of half a PlayStation 1
First dishonourable mention goes to all the creature features from the SyFy (formerly sci fi) channel and production houses such as Nu Image. These are not B movies. These are an F- at best. The Shark Attack films are almost 50% stock footage (but watch Shark Attack 3: Megalodon for John Barrowman looking his most embarrassed-this movie made a Broadway star and showman embarrassed), the titular monsters of Komodo vs Cobra straight out of an early-90s video game and in Crocodile and Crocodile 2: Death Roll, the best actor seems to be the crocodile, itself an unconvincingly lifeless shell.
Moving on to real movies, many at the bottom of the barrel are superhero/comic book films. Catwoman, starring a sorely miscast Halle Berry, is to me the worst offender, as the comic book character of Selina Kyle has tremendous cinematic potential-an elegant, sultry cat burglar with a tragic past and magnetic chemistry with a crime-fighter on the other side of the law. However, the version we got was not even Selina Kyle. Everything didn't fit, from the casting to the horrific costume to the cheap-looking music video aesthetic.
Another female-driven comic book flick, Elektra, truly was the death knell for movies headlined by superheroines. It's a pity as Jennifer Garner is a good actress and would have been a terrific Elektra - had the material even come close to anything in the comics. Never mind that Elektra had no substance, it had no style to speak of either, blatantly trying to ape the look of Hong Kong wire-fu films to dismal effect.
It was impossible for me to keep a straight face when viewing Ghost Rider. I have never seen a film where everyone onscreen looks so thoroughly uninterested in the task at hand. It seems that Ghost Rider was attempting to be the next Blade, but ended up feeling more like Spawn. Nicolas Cage has never been more miscast and evil demons have never looked less frightening.  
Speaking of Spawn...actually let’s not dwell too much on that. A misguided, messy, incoherent attempt, the character makes a clumsy transition from comic book page to the screen, and this is not helped by a somewhat cartoonish feel and laughable computer-generated effects. A pity, as the practical and makeup effects are pretty good, and Michael Jai White could have well been a great superhero

Prepare for the very average!
 The Fantastic Four films narrowly escape being named because it seems that they were made with the intention of being fun, accessible and light family fare. The Fantastic Four movies weren't Batman Begins, but neither were they aiming to be.  I don’t want to belabour the point, there are enough people who don’t like Batman and Robin. I’m one of them, but by now the reasons why it is such risible garbage are all too clear, and I need not say any more.
I was quite upset with Aeon Flux: the MTV animated series on which it was based was edgy and quite interesting, but the film felt all too generic and was very poorly plotted and just looked bad. Charlize Theron in a wig and futuristic lingerie is about all that makes this worth half a look.
Two Jackie Chan films make the list: The Medallion and The Tuxedo. With the former, it was a sad case of "they changed it now it sucks", with Chan uncharacteristically relying on very unconvincing CGI, and aiming for a Hollywood effect by roping in actors such as Lee Evans, Claire Forlani, Julian Sands and even John Rhys-Davies to round out the cast. They didn’t help, not one bit.
The Tuxedo is the better of the two, but only because it benefitted from a Hollywood budget. Otherwise, it's more cringe-worthy slapstick, and more Jackie Chan moves being digitally sped-up. That, and the most unrealistic giant mosquitoes to have ever buzzed across the screen.
Chan's peer, action star Michelle Yeoh, is also an offender when it comes to trying to churn out Hollywood-style movies with limited resources and even less creativity. The Touch is a little-known 2002 film, and little-known for good reason. Its oriental mysticism-driven plot is uninspired and the visual effects dated by at least 15 years. The film is made mildly watchable by Richard Roxburgh's turn as an evil treasure-hunter. I just hope it put bread on his table.
Michelle Yeoh was also in The Mummy: Tomb of the Dragon Emperor, a colossal disappointment. The film was clearly a step down from the first two, and even the lovely Maria Bello trying her darnest to live up to expectations set by Rachel Weisz couldn't salvage this video game-esque mess. This was a movie that promised a face-off between martial arts legends Jet Li and Michelle Yeoh-we got a mediocre swordfight instead. It's also a pity that at every given opportunity, the filmmakers replaced Jet Li with a CGI shapeshifted form. And don't get me started on the kung fu yetis.
I'll end off the list of cinematic east-meets-west faux pas with Bulletproof Monk-a sad, sad film where the sagest line is about how hot dogs come in packs of ten and buns in packs of eight, or something like that. Poor poor Chow Yun-Fatt: and to think he willingly suffered such indignity again in Dragonball: Evolution.

(All images used for illustrative purposes only.)