ANT-MAN
Director : Peyton Reed
Cast : Paul Rudd, Evangeline Lilly, Michael Douglas, Corey Stoll, Bobby Cannavale, Michael Peña, Judy Greer, Tip "T.I." Harris, David Dastmalchian
Genre : Action/Comics/Sci-Fi
Run Time : 117 mins
Opens: 16 July 2015
Rating: PG
Ant-Man
arrives in theatres carrying a great deal of scepticism on its insectoid
shoulders. Many scoff at the inherent silliness of the premise, and then there’s
the matter of original director Edgar Wright leaving the project, to be
replaced with Peyton Reed. Marvel Studios has cleverly played the underdog
card, just as they did with last year’s Guardians
of the Galaxy, creating a fast-paced, raucously funny, very entertaining
little beast. The Marvel Cinematic Universe has attempted to stave off
superhero movie fatigue by dipping its toes into various subgenres, including
conspiracy thriller with Captain America:
The Winter Soldier and high fantasy with Thor. Ant-Man is a
comedic heist caper with a healthy amount of sci-fi stirred in. The screenplay,
credited to Wright, Joe Cornish, Adam McKay and star Paul Rudd, is packed with
belly laughs. The light-heartedness assists in the suspension of disbelief
required to go along with the premise and admirably enough, does not undermine
the more emotional beats of the story.
This is not to say the film is
flawless by any stretch of the imagination. Even as it valiantly tries to offer
up something fresh, Ant-Man succumbs to formula at every turn. There’s the ex-con
trying to make good for the sake of his young daughter, the evil new CEO who
has betrayed the man who believed in him, the tough, no-nonsense female lead
who despises our hero but eventually warms to him, the comic relief trio who
form the hero’s motley crew and a training montage or three to cap that off. While most of the jokes land, some of the comedy carries with it a smart-alecky, post-Apatow affectation that comes off as trying too hard. However,
Ant-Man packs in a dazzling amount of
visual invention, trucking out extremely clever sequences in which the
mass-shifting technology is put to ingenious use. Reed has acknowledged the
lineage of “shrinking” special effects-driven films that include The Incredible Shrinking Man, The Fantastic Voyage and Honey I Shrunk the Kids, and Ant-Man earns its place in that
pantheon. The visual effects work on the ants, who serve as Scott’s little
helpers, are not hyper-realistic, but perhaps that is to help them become a
little more endearing – and endearing they are indeed.
Paul Rudd, primarily known as a
comedic actor, slips into the shrinking suit with ease. After Chris Pratt’s
resounding success as a leading man in GotG,
casting a funnyman in a superhero part no longer seems like that much of a
gamble. Rudd’s charm, charisma and mischievous streak, including his ability to
play the more heartfelt moments of the film with appropriate sincerity, allow
him to stand shoulder-to-shoulder with the MCU’s now-venerable pantheon of
leading men. Unlike several respectable big-name actors have in the past,
Michael Douglas doesn’t look like he’s begrudgingly doing this big blockbuster
just for the paycheck. There’s a wisdom, weariness and hint of playfulness to
his Hank Pym and his presence elevates the material without seeming like he’s
yelling “look at me and my prestige!”
Evangeline Lilly has several
ass-kicking female characters under her belt, coming straight off playing
Tauriel in the Hobbit films. Beyond the severe bob and the proficiency in
martial arts, there’s Hope’s conflict with her father. Her distaste for Scott
stems from her belief that she herself is far more qualified to inherit the
shrinking suit, and while the character’s arc is basic, it will make more than
a few misty-eyed. The trio of misfit crooks with hearts of gold who form Scott’s
team provide more than a few laughs, led by Michael Peña doing his best Luis
Guzmán impression as the awkward, garrulous, earnest Luis. David Dastmalchian,
hitherto known as “that creepy guy you kind of recognise from The Dark Knight”, is a revelation as
Kurt, rocking an over-the-top Russian accent and ridiculous coiffeur, showcasing
spot-on comic timing.
The
film’s one major misstep is its egregious waste of Corey Stoll’s considerable
talents, relegating him to the role of a staggeringly mono-dimensional villain.
Stoll eats up the part with great relish, but the Marvel movies have mainly
drawn criticism for their dearth of truly compelling villains, and
unfortunately, Darren Cross is no exception. As the new CEO with evil designs
on the hero’s technology, he strongly echoes Obadiah Stane from the first Iron Man flick. That said, other Marvel
films have sacrificed well-developed villains for the sake of well-developed
heroes, a gamble that has paid off and that does pay off here.
Ant-Man
proves itself as more than just the sorbet course to follow up the big steak
dinner that was Age of Ultron. It’s
an enjoyable romp that stands nicely on its own but is also packed full of nods
and Easter Eggs to the other MCU movies and the comics at large. A friend of
this reviewer was very excited at the inclusion of Scott’s daughter Cassie
(Abby Ryder Forston), and a string of cameos provides connective tissue to the
rest of the films. As is de rigeur
with these movies, be sure to stick around for two stinger scenes during and
after the credits. Ant-Man may not break the mould, but it offers enough fresh
morsels for long-time fans and doesn’t alienate neophytes by requiring the
in-depth knowledge the Avengers
flicks warrant to fully enjoy. Now that’s ant-ertainment.
Summary:
Bet on the little guy.
RATING: 4
out of 5 Stars
Jedd
Jong
