Police Story 2013 (警察故事2013)

For F*** Magazine

POLICE STORY 2013 (警察故事2013)

Director: Ding Sheng
Cast:         Jackie Chan, Liu Ye, Jing Tian, Huang Bo, Yu Rongguang, Zhang Lanxin, Wang Zhifei
Genre: Action, Crime
Run Time: 106 mins
Opens: 24 December 2013
Rating: PG13

Upon the release of last year’s CZ12, Jackie Chan was pretty sure that it would be his last big, action-centric role, but the actor was also adamant that he was far from retirement. He revisits the Police Story franchise in this film which, like New Police Story before it, is unrelated to the earlier entries in the series and promises to be tough and serious. But are “grim and gritty” and “Jackie Chan” really the best bedfellows?

Ditching the Chan Ka-Kui persona from the first four Police Story films and Chan Kwok-Wing from New Police Story, here, Jackie Chan plays Mainland Chinese police Captain Zhong Wen. He goes to meet his somewhat-estranged daughter Miao Miao (Jing Tian) at the Wu Bar, an industrial-chic establishment converted from a factory. Zhong discovers Miao Miao is dating the Wu Bar’s proprietor Wu Jiang (Liu Ye), something he disapproves of. It turns out that his suspicions of Wu Jiang are not unfounded as Zhong and the rest of the patrons get taken hostage inside the nightclub. Wu Jiang pursues a vendetta that began one night five years ago with an incident in a pharmacy, and it turns out that Zhong was there. Zhong has to fight for the safety of his daughter and everyone else held hostage as the police plans an infiltration of the Wu Bar to put an end to a night of madness.



Audiences will know they’re in for something different than the usual Jackie Chan action romp from the opening scene onwards – that scene featuring Jackie holding a gun to his head. In his review of Police Story 3: Super Cop, film critic James Berardinelli said of Jackie Chan’s style, “this is action with a smile, not a grimace.” Well, Police Story 2013 is very heavy on the grimacing indeed. This film is essentially Die Hard in a Nightclub, with Capt. Zhong and the other characters stuck on the premises for most of the film. It’s even set during Christmas, like Die Hard. However, Bruce Willis cracked a good number of jokes but here, Jackie Chan does nothing of the sort, gritting his teeth through the whole affair.


The vast majority of Jackie Chan’s films are exuberant and silly, the actor favouring a madcap style of physical humour and incorporating comedy into action sequences in an inventive manner. While CZ12 was almost gratingly juvenile, here, we have a Jackie who’s grizzled and hard-boiled. The problem with this is that everything that makes Jackie Chan who he is gets stripped away. There really aren’t enough action sequences in this action thriller and the main fight is a pretty brutal cage match, hits and impacts enhanced with Zack-Snyder style slow-motion and ramping. It’s not an enjoyable melee to watch; that mix of playfulness and peril that Jackie does so well replaced with more typical movie violence.



Ding Sheng, who directed Jackie in Little Big Soldier, pulls triple duty as director, screenwriter and editor. In all fairness, Police Story 2013 isn’t a poorly-constructed film and possesses some effectively dramatic moments. However, Liu Ye makes for a relatively disappointing villain. The character’s motivations are very personal, veering into soap opera territory. As an adversary, he pales in comparison to Daniel Wu’s captivating, wickedly charismatic turn as Joe Kwan in New Police Story. The idea of an aging cop mending bridges with his daughter is far from a new one but Jackie and Jing Tian work well enough as father and daughter.



The frustrating thing about Police Story 2013 is that Jackie Chan is not a bad actor and he can be convincingly serious (see Crime Story, The Shinjuku Incident or even Karate Kid) – but then, he ends up just like every other action hero. As he gets on in years, he has been open about his desire to take on more dramatic and less action-centric parts. Perhaps we should be glad that he's no longer running through spice markets butt-naked but we’re pretty sure that most of Jackie’s fans will find themselves missing the humour and vim and verve that are his trademarks. As with most of his films, a gag reel rolls as the end credits do, in which we see Jackie flub lines, get nicked by too-realistic prop knives, take some hits and goof off. It only goes to show that “action with a smile” really is his wheelhouse.

SUMMARY: While not a bad film, Police Story 2013 doesn’t play to Jackie Chan’s strengths, turning him into every other tough action hero ever. It’s surprisingly short on the stunts and thrills too.

RATING: 2.5 out of 5 Stars

Jedd Jong

CZ12 Chinese Zodiac

For F*** Magazine, Singapore

CHINESE ZODIAC (CZ12)

Director:	Jackie Chan
Cast:	Jackie Chan, Zhang Lanxin, Yao Xingtong, Laura Weissbecker, Kwone Sang-Woo, Oliver Platt
Genre:	Action, Comedy
Run Time:	123 mins
Opens:	20 December
Rating:	PG – Some Violence

It’s the holiday season and the 12 days of Christmas are upon us, but Jackie Chan hopes to turn moviegoers’ eyes eastward to a different “12” – the 12 animals of the Chinese Zodiac. In this film, the third installment of Chan’s Armour of God series (though it isn’t marketed as such), he returns as mercenary and master thief JC.

The “Chinese Zodiac” (aka CZ12) of the title refers to 12 bronze animal heads, one of each animal, that were stolen when Anglo-French armies looted the Summer Palace in 1860. Six of them are missing, and JC has been hired to track them down and find them by the father-and-son-duo of Lawrence (Platt) and Michael (Vincent Sze) (adopted, perhaps?), who run the shady Max Profits Corporation. This quest brings JC and his crew – Simon (Kwone), Bonnie (Zhang) and David (Liao Fan) from the chateaux and vineyards of France to an island in the South Seas and beyond, as they meet a French heiress (Weissbecker), a Chinese archaeology student (Yao), and a ruthless rival mercenary named The Vulture (Alaa Safi). That, and the expected smorgasbord of action set pieces, which include outrunning Rottweillers in a garden maze, and a skydiving skirmish high above an active volcano.

Chinese Zodiac has been touted as possibly Jackie Chan’s last big headlining action film and a return to the Jackie Chan action-comedy of old. In that respect, it delivers, because this is classic, typical Jackie Chan. It really is reminiscent of the films earlier in his career, and since it’s been 21 years since Armour of God II: Operation Condor, it does tickle the nostalgia bone. The action sequences in this film are uniformly entertaining and while it seems Chan has learnt a fair bit from working on big Hollywood films, he hasn’t lost that essence entirely, so we have a romp that’s slicker and a fair bit more polished than his earlier efforts, yet still unmistakably Jackie Chan.

However, that’s not entirely a good thing. The story isn’t the most original, with shades of the Jackie Chan animated series amongst others, there are the usual plot contrivances (do random French heiresses really just invite you home to check out their antique collection?), and Chan’s penchant for slapstick is on full, brash display. While humour is a part of his brand of cinematic action, there’s a difference between being lighthearted and witty and being just plain silly; this is a line that Chinese Zodiac crosses all too often. Many of us haven’t completely outgrown Jackie Chan flicks, but we’ve definitely grown up, and this reviewer isn’t sure if the same can be said of the director/star as some of the antics showcased are rather juvenile. The most egregious example is an odd Pirates of the Caribbean pastiche that comes completely out of left field, when JC and his party are exploring a long-lost island and get ambushed by a multi-national band of pirates, including one made up to look like Jack Sparrow. Then there’s an attack by a hive of bees, complete with the pirates sporting cartoony swollen lesions. It’s scenes like that one that threaten to completely derail whatever little story the film had to begin with, and are frankly unnecessary.

The film has JC working with a team this time around, Mission: Impossible style, but let’s face it, this doesn’t make it any less of a Jackie Chan ego trip. There’s a supposedly lofty message of the preservation of cultural heritage by having all artifacts and national treasures returned to their countries of origin, and Chan includes a slightly obnoxious voiceover over the end credits, but at least his onscreen persona of the mercenary with a heart of gold is likeable as always.

However, what Jackie Chan excels in are undoubtedly cool stunts, and there’s no denying that there’s imagination on display in how said stunts are staged and shot, more than in your average Hollywood actioner, and that the 58-year-old multi-hyphenate is still spry and energetic. Chan one-ups the zorbing scene from Armour of God II in the “unique modes of transportation” department with the “Buggy Rollin Suit”, invented by French extreme sportsman and designer Jean Yves “Rollerman” Blondeau. It’s an exciting opening chase that wouldn’t be out of place in a more upbeat Bond movie, and is very tactile and physical. The major hand-to-hand combat sequence between JC and Alaa Safi’s Vulture (a cool character who’s a little underutilized) is exactly the kind of scene Jackie Chan fans would relish. And yes, while the climactic skydiving sequence was accomplished mostly with blue screen photography, it’s still pretty edge-of-your-seat stuff.

It’s good to see Jackie Chan back in his element in an archetypical “Jackie Chan movie”, warts and all, but this definitely is a movie where the enjoyment is contingent on how forgiving of its star one is willing to be. Good thing then, that the star is Jackie Chan.

SUMMARY: If you’re a Jackie Chan fan, you just might be able to overlook the wanton silliness and enjoy Jackie Chan’s signature stunts and action feats.

RATING: 3 out of 5 STARS

Jedd Jong