Showing posts with label Simon Yam. Show all posts
Showing posts with label Simon Yam. Show all posts

Thursday, July 2, 2015

SPL 2: A Time For Consequences (杀破狼II)

For F*** Magazine

SPL 2: A TIME FOR CONSEQUENCES (杀破狼II)

Director : Soi Cheang
Cast : Tony Jaa, Louis Koo, Wu Jing, Simon Yam, Zhang Jin, Philip Keung, Ken Lo
Genre : Action/Thriller
Run Time : 120 mins
Opens : 2 July 2015
Rating : NC-16 (Violence and Drug Use)

Tony Jaa has no more time for elephants, only a time for consequences in this Hong Kong-Thai action thriller. Jaa plays Chai, a prison guard whose young daughter Sa is battling leukaemia. An unlikely new prisoner lands in the jail where Chai works: Hong Kong undercover cop Kit (Wu), who has had his cover blown while on the trail of organ trafficking ring kingpin Mr. Hung (Koo). Mr. Hung, himself terminally ill, is in Thailand for a heart transplant to save his life, forcing his younger brother (Jun Kung) to be the donor. Kit’s supervisor and uncle Wah (Yam) tracks his nephew down and travels to Thailand to retrieve him. It turns out that Kit is the only bone marrow match for Sa, so Kit and Chai must become unlikely partners to save their own lives and the life of little Sa as fists and bullets fly.



            SPL 2 is rather confusingly named – it is almost completely unrelated to the 2005 film SPL, starring Donnie Yen and Sammo Hung, even though both Simon Yam and Wu Jing were in the earlier movie too. This is a “spiritual sequel”, i.e. some other script with the “SPL” name slapped onto it. The film’s grammatically-impaired English tagline is “Real action. Real fight.” There are fights aplenty and action director Li Chung Chi choreographs some intense battles, including a shootout at a ferry terminal and a stylish climactic showdown in a pristine high-end medical facility. It is also a boon that Tony Jaa, Wu Jing and Zhang Jin are all highly skilled martial artists in their own right and are able to perform their own fights. Those looking purely for “real fight”, however, will probably come away slightly disappointed at the usage of stylised wirework for several of the sequences.


            While it contains enough fisticuffs to satiate action junkies, SPL 2 is burdened with an unexpectedly convoluted, labyrinth story. A key plot device is that of a terminally ill little girl and the search for a bone marrow donor – this seems more at home in a soap opera than in a martial arts flick. The plot has to straddle both Hong Kong and Thailand and this is often done quite clumsily. It seems as if screenwriter Jill Leung Lai-yin was tasked with finding a way to work Jaa into the story and ended up spinning a far knottier yarn that was needed. This is a film in which the two protagonists do not speak the same language, and have to communicate via smart phone translator app. If that doesn’t drive a wedge in the buddy chemistry, we have no idea what will.



            Tony Jaa is very likeable as an action hero and is experiencing something of a career resurgence after completing his stint as a Buddhist monk, making inroads into Hollywood with Fast and Furious 7 and the Dolph Lundgren-starrer Skin Trade. He has the earnestness and intensity down pat but of course, it’s his impressive Muay Thai-trained athleticism that makes more of an impact than anything else. Wu Jing comes from a different martial arts training background and they do complement each other, even though their partnership never feels complete because of the invisible cultural/language barrier that’s always there. Rocking a waistcoat, Zhang Jin is slick and dangerous as the prison warden and main henchman to Mr. Hung. Louis Koo puts aside his usual handsome, healthy appearance as the sickly master criminal; his portrayal sinister but never wholly threatening.


            Instead of having a little fun and being truly inventive with the action sequences, SPL 2 takes itself far too seriously – the faux-portentous subtitle “A Time for Consequences” should have been indication enough. Instead of being gritty and hard-hitting, the film is often frustratingly maudlin, melodramatic and hard to follow. The cliché use of very recognisable pieces of classical music in an attempt to elicit pathos, including Mozart’s Requiem and Vivaldi’s Four Seasons (Summer), further mires the film in unintentional hilarity. The filmmakers clearly had access to the resources and talent to make a truly entertaining, breath-taking martial arts extravaganza, but have instead tangled themselves up in too much plot.



Summary: Even though it contains a fair amount of neatly-choreographed action, SPL 2 is slow, difficult to follow and fails to deliver a cohesive team-up between Thai action star Tony Jaa and Hong Kong action star Wu Jing.

RATING: 2 out of 5 Stars

Jedd Jong 

Wednesday, April 16, 2014

Iceman 3D (冰封: 重生之门)

For F*** Magazine

ICEMAN 3D (冰封: 重生之门)

Director: Law Wing Cheong
Cast:  Donnie Yen, Simon Yam, Eva Huang, Wang Baoqiang, Yu Kang, Hoi-Pang Lo, Mark Wu, Gregory Wong, Yang Jian-ping, Jacqueline Chong, Sukie Shek, Ava Liu
Genre: Action
Run Time: 105 mins
Opens: 17 April 2014
Rating: PG13 (Some Violence)

The 1989 film The Iceman Cometh gets thawed and re-heated with this goofy remake starring Donnie Yen. Yen plays He Ying, an Imperial Guard from the Ming Dynasty framed for treason, flash-frozen in an avalanche and re-awoken in 2013. He Ying wanders through modern-day Hong Kong, a world utterly alien to him. At a Halloween party, he meets May (Huang), who upon recovering from a drunken stupor offers him shelter and gradually begins to fall in love with the 400+ year old Imperial Guard. Meanwhile, Sao (Wang) and Niehu (Yu), blood brothers-turned enemies of He Ying who were frozen alongside him, have also been defrosted, proceeding to scour Hong Kong for He Ying. Police chief Yuanlong (Yam) is also hot on He Ying’s tail as a mysterious connection he shares with the Iceman comes to light.

Iceman has had a troubled production process, going over-budget and over-schedule and running into multiple issues with location shooting in Hong Kong. The resulting film was 3.5 hours long and has been split into two parts, with the sequel slated to arrive this October. This probably accounts for the inconclusive ending. Stuffed with over the top, juvenile gags, many bodily function-related, Iceman drowns itself in slapstick, making it difficult to enjoy as a fantasy action epic. After awaking from cryo-sleep, He Ying’s first action is pretty much unleashing a stream of turbo pee which splatters across the windshield of an arriving car. Even the Ghost Rider urinating fire was less of an indignity than this.



Yes, a movie about a Ming Dynasty guard getting unfrozen in 2013 isn’t going to be a beacon of logical storytelling, but Iceman strains the suspension of disbelief well past the breaking point. It’s remarkable how readily May and her pals accept the fact that He Ying is who he says he is, none of them particularly fazed or bewildered by the ancient palace guard just crashing at May’s place. May’s stereotypically camp friend is somehow able to show He Ying actual video of the very avalanche in which he was frozen, and it’s left completely unexplained as to where that footage comes from. Was there someone around filming it 400 years ago? This is but one of the many, many plot holes Iceman is riddled with. Its scattershot storytelling robs the narrative of any drive or stakes. There’s something involving a MacGuffin called the Golden Wheel of Time that is supposedly a time travel device, but there’s so much pratfall-heavy mucking about that the actual plot gets little attention. He Ying only actually meets Sao and Niehu in the present day at around the 50 minute mark.

Donnie Yen, we think you’re a great martial artist and we love seeing you kick ass onscreen, just please stop making such bad movies. Over the last year, the likes of Special I.D. and The Monkey King have been major embarrassments. To put it simply: Donnie Yen leaping through the air, striking an assailant as he lands = good. Donnie Yen drinking out of a toilet, remarking how the “well water is so salty and stinky” = bad. As the female lead, May’s purpose in the narrative is confusing. Huang Shengyi and Donnie Yen share little chemistry, and an inordinate amount of screen time is dedicated to the two characters “bonding” with little plot development actually taking place. There’s even a shamelessly mawkish subplot involving May’s mother, on the brink of being evicted from a nursing home. Wang Baoqiang, Yu Kang and Simon Yam make for forgettable antagonists when the plot thread that binds them and He Ying could have been the source of considerable dramatic tension.



The premise of Iceman has understandably been compared to that of a certain shield-packing Marvel superhero, but it’s really more like Demolition Man, only even sillier than that 1993 Stallone sci-fi flick. We saw the 2D version, but even then it’s easy to tell how utterly gimmicky the 3D version surely is – look out for pieces of curry chicken hurtling out from the screen! The climactic showdown set on the Tsing Ma Bridge is a halfway decent, if flashy and cheesy, action sequence, but it’s far from enough to make up for the preceding mess. There’s some pretty bad CGI, especially during a snowboarding sequence. Guys, xXx was 12 years ago. At the time of this writing, the sequel’s title translates to Iceman 2: Back to the Future. We’ll just roll our eyes now and get over with it.

SUMMARY: Heavy on sophomoric jokes and “stuff flying at the camera” gags but low on fantasy action spectacle and any storytelling coherence, we recommend tossing this Iceman back in deep freeze storage and throwing away the key.

RATING: 1.5 out of 5 Stars

Jedd Jong