Showing posts with label Wang Baoqiang. Show all posts
Showing posts with label Wang Baoqiang. Show all posts

Wednesday, October 29, 2014

Kung Fu Jungle (一个人的武林)

For F*** Magazine

KUNG FU JUNGLE (一个人的武林)

Director : Teddy Chen
Cast : Donnie Yen, Wang Baoqiang, Charlie Young, Michelle Bai, Alex Fong, Louis Fan
Genre : Action/Thriller
Rating : PG13 (Violence) 
Run time: 100 mins

It’s a jungle out there – a kung fu jungle. In Teddy Chen’s martial arts flick, Donnie Yen’s Hahou Mo was once the king of that jungle. A skilled kungfu instructor and martial arts school proprietor who was responsible for training members of the Hong Kong Police, Hahou fell from grace after accidentally killing an opponent in a duel. In the midst of serving his five year prison term, Hahou hears about a series of murders on the news. A deranged fighter named Fung Ya-Sau (Wang) is targeting Hong Kong’s top martial arts practitioners in a bid to prove his supremacy in the various subsets – fistfighting, kickboxing, grappling, weapon-wielding and finally the use of “internal energy”. Hahou approaches Luk Yuen-Sun (Young), the policewoman leading the investigation to offer his expertise and is provisionally released to assist the police. He also reunites with his girlfriend Sinn Ying (Bai) who has been operating the school alone in his absence.


            Audiences get a kick out of seeing feats of well-honed physical prowess on display. That’s an integral part of the appeal of competitive sports and Cirque du Soleil-type performances. In cinema, the martial arts genre best exemplifies this. Kung Fu Jungle reunites star Donnie Yen with his Bodyguards and Assassins director Teddy Chen, with contemporary Hong Kong in place of the period setting of that film. Here, the plot exists primarily as a clothesline on which to hang the kungfu battles but all things considered, it’s not a bad clothesline at all. Our noble hero who’s been wronged has to prove his worth by assisting the wary police in pursuit of a dangerous foe. It’s reminiscent of the 1997 Gary Daniels-starrer Bloodmoon – that film’s director Tony Leung Siu Hong gets a cameo here. Hey, beats the bog-standard “underground martial arts tournament” plot device. We get some exciting set-pieces, including a fight on and around a giant suspended modern art sculpture of the human skeleton. There are chases on foot across rooftops and through canals on speedboats. There’s also a pretty fun meta moment when Ya-Sau storms onto a movie set to face off against action movie star Hung Yip (Fan).


            However, Kung Fu Jungle definitely has its lapses in logic and spots of unintentional humour. For example, when Ya-sau enters the film set to confront Hung Yip, the rest of the cast and crew just hightail it out of there and nobody calls for the cops to, at the very least, wait outside the studio to apprehend Ya-sau. There’s also a moment during the climactic clash when our hero, brandishing a long bamboo pole, is running after our villain, also brandishing a long bamboo pole. It’s very goofy and almost worthy of spontaneous Yakety Sax music. That said, Chen has largely achieved a tonal consistency and there aren’t annoyingly long comic relief interludes as can often pop up in this genre. The action choreography by Yen, Yuen Bun and Yan Hua is energetic, intense and creative, although there is more shaky-cam employed than we would’ve liked. Computer-generated effects in Hong Kong cinema are often jarring and dodgy so it’s a good thing that apart from just a few quick bits, the stunt work is all practical and well-executed.


            At 51, Donnie Yen is still as quick, spry and proficient a martial artist as ever and he just looks awesome onscreen. This reviewer is relieved that after the very embarrassing likes of Special I.D., Iceman and the abysmal Monkey King, Yen’s dignity is more than intact here. True, his acting range is somewhat limited, but “wrongly imprisoned martial arts master” is well within those limits and the focus is rightfully placed on his fighting rather than his acting. Wang Baoqiang works those crazed eyes for all they’re worth and although he does seem like a dangerous, credible opponent for our hero, he has a tendency to ham it up. The “skyward scream” he lets out during a flashback detailing his stock tragic back-story™ really pulls one out of what should’ve been a dramatic moment. Charlie Young does make for a believable woman in charge, though it’s nothing we haven’t seen before in this genre. Mdm. Luk doesn’t let Hahou catch a break and the partnership between the martial artist and the police is always somewhat rocky. Michelle Bai’s role is just that crucial bit more than “the girlfriend” thanks to a great swordfighting scene she gets to herself.


            Aficionados of Hong Kong martial arts movies will have fun keeping their eyes peeled for cameos from personalities key to the success of the genre, including veteran producer and Hong Kong cinema pioneer Raymond Chow, actress Sharon Yeung of Drunken Master and Angel on Fire fame and film historian/screenwriter Bey Logan. The movie ends with a great montage in tribute to many influential filmmakers and actors who have kept the martial arts movie tradition alive and kicking. Kung Fu Jungle does have its overwrought moments but the good number of exhilarating fights and leading man Donnie Yen’s presence makes this worth seeing for anyone who digs kungfu movies.



Summary: An uncomplicated plot, great action sequences, a palpable affection for its predecessors in this genre and Donnie Yen doing what he does best make this a fun rumble in the jungle.

RATING: 3.5 out of 5 Stars

Jedd Jong

Wednesday, April 16, 2014

Iceman 3D (冰封: 重生之门)

For F*** Magazine

ICEMAN 3D (冰封: 重生之门)

Director: Law Wing Cheong
Cast:  Donnie Yen, Simon Yam, Eva Huang, Wang Baoqiang, Yu Kang, Hoi-Pang Lo, Mark Wu, Gregory Wong, Yang Jian-ping, Jacqueline Chong, Sukie Shek, Ava Liu
Genre: Action
Run Time: 105 mins
Opens: 17 April 2014
Rating: PG13 (Some Violence)

The 1989 film The Iceman Cometh gets thawed and re-heated with this goofy remake starring Donnie Yen. Yen plays He Ying, an Imperial Guard from the Ming Dynasty framed for treason, flash-frozen in an avalanche and re-awoken in 2013. He Ying wanders through modern-day Hong Kong, a world utterly alien to him. At a Halloween party, he meets May (Huang), who upon recovering from a drunken stupor offers him shelter and gradually begins to fall in love with the 400+ year old Imperial Guard. Meanwhile, Sao (Wang) and Niehu (Yu), blood brothers-turned enemies of He Ying who were frozen alongside him, have also been defrosted, proceeding to scour Hong Kong for He Ying. Police chief Yuanlong (Yam) is also hot on He Ying’s tail as a mysterious connection he shares with the Iceman comes to light.

Iceman has had a troubled production process, going over-budget and over-schedule and running into multiple issues with location shooting in Hong Kong. The resulting film was 3.5 hours long and has been split into two parts, with the sequel slated to arrive this October. This probably accounts for the inconclusive ending. Stuffed with over the top, juvenile gags, many bodily function-related, Iceman drowns itself in slapstick, making it difficult to enjoy as a fantasy action epic. After awaking from cryo-sleep, He Ying’s first action is pretty much unleashing a stream of turbo pee which splatters across the windshield of an arriving car. Even the Ghost Rider urinating fire was less of an indignity than this.



Yes, a movie about a Ming Dynasty guard getting unfrozen in 2013 isn’t going to be a beacon of logical storytelling, but Iceman strains the suspension of disbelief well past the breaking point. It’s remarkable how readily May and her pals accept the fact that He Ying is who he says he is, none of them particularly fazed or bewildered by the ancient palace guard just crashing at May’s place. May’s stereotypically camp friend is somehow able to show He Ying actual video of the very avalanche in which he was frozen, and it’s left completely unexplained as to where that footage comes from. Was there someone around filming it 400 years ago? This is but one of the many, many plot holes Iceman is riddled with. Its scattershot storytelling robs the narrative of any drive or stakes. There’s something involving a MacGuffin called the Golden Wheel of Time that is supposedly a time travel device, but there’s so much pratfall-heavy mucking about that the actual plot gets little attention. He Ying only actually meets Sao and Niehu in the present day at around the 50 minute mark.

Donnie Yen, we think you’re a great martial artist and we love seeing you kick ass onscreen, just please stop making such bad movies. Over the last year, the likes of Special I.D. and The Monkey King have been major embarrassments. To put it simply: Donnie Yen leaping through the air, striking an assailant as he lands = good. Donnie Yen drinking out of a toilet, remarking how the “well water is so salty and stinky” = bad. As the female lead, May’s purpose in the narrative is confusing. Huang Shengyi and Donnie Yen share little chemistry, and an inordinate amount of screen time is dedicated to the two characters “bonding” with little plot development actually taking place. There’s even a shamelessly mawkish subplot involving May’s mother, on the brink of being evicted from a nursing home. Wang Baoqiang, Yu Kang and Simon Yam make for forgettable antagonists when the plot thread that binds them and He Ying could have been the source of considerable dramatic tension.



The premise of Iceman has understandably been compared to that of a certain shield-packing Marvel superhero, but it’s really more like Demolition Man, only even sillier than that 1993 Stallone sci-fi flick. We saw the 2D version, but even then it’s easy to tell how utterly gimmicky the 3D version surely is – look out for pieces of curry chicken hurtling out from the screen! The climactic showdown set on the Tsing Ma Bridge is a halfway decent, if flashy and cheesy, action sequence, but it’s far from enough to make up for the preceding mess. There’s some pretty bad CGI, especially during a snowboarding sequence. Guys, xXx was 12 years ago. At the time of this writing, the sequel’s title translates to Iceman 2: Back to the Future. We’ll just roll our eyes now and get over with it.

SUMMARY: Heavy on sophomoric jokes and “stuff flying at the camera” gags but low on fantasy action spectacle and any storytelling coherence, we recommend tossing this Iceman back in deep freeze storage and throwing away the key.

RATING: 1.5 out of 5 Stars

Jedd Jong