Showing posts with label event coverage. Show all posts
Showing posts with label event coverage. Show all posts

Thursday, April 21, 2016

Painting the Town Blue - Captain America: Civil War Blue Carpet

For F*** Magazine

PAINTING THE TOWN BLUE

Team Cap takes Marina Bay Sands by storm
By Jedd Jong


To call it a ‘crowd’ would be a gross understatement. On the evening of Thursday 22nd April, throngs of fans showed up to try to catch a glimpse or, better yet, a coveted selfie with or autograph from the stars of Captain America: Civil War. The Shoppes at Marina Bay Sands (MBS) were overrun with eager folks armed with homemade signs and cheering at the top of their lungs, some of whom had arrived as early as 10 hours before the scheduled start of the event.

That glorious Scott Pilgrim reference though.
In what must have been a heart-breaking move for any DC fan, a black curtain was set up in front of the DC Super Heroes café that overlooked the Blue Carpet area, out of deference to Marvel. It is perhaps an apt metaphor for how Marvel is pummelling the Distinguished Competition at the Multiplex.


A highlight of Team Cap’s visit to Singapore, stars Chris Evans (Steve Rogers/Captain America), Anthony Mackie (Sam Wilson/Falcon) and Sebastian Stan (Bucky Barnes/Winter Soldier) with co-director Joe Russo walked the Blue Carpet. Deejay Glenn Ong and model/actress Stephanie Carrington were the evening’s hosts, with actor Paul Foster providing back-up on the Blue Carpet. The event was kicked off with the finals of a cosplay competition, with an enthusiastic Indonesian gentleman sporting accurate Tony Stark-esque facial hair drawn on and eyewear beneath his Iron Man helmet taking the top prize.


Stan looked more comfortable than he did at the press conference that morning, rocking a striking turquoise suit, with Mackie going for a more classic option. Evans looked like he rolled out of bed, wearing the same shirt and trousers he wore to the press conference – but one could stand to be a little sloppy if one possessed even a fraction of Evans’ pulchritude.

The sale of packages priced at $688 and $1288, including access to the Blue Carpet, had become the talk of the town. It was later clarified that the majority of Blue Carpet passes were being distributed to invited children and teenagers as part of Disney and MBS’ corporate social responsibility initiatives; these children would be invited on stage later. Other recipients included contest winners and VIPs. A limited number of Blue Carpet passes were then bundled together with products like collectible t-shirts, figurines and a one-night stay at the MBS hotel.


A considerable number of lucky fans who had arrived early enough to stake out a good spot lining the Blue Carpet were able to get the attention of the stars, who made every effort to sign as many autographs and take as many selfies as time would allow. Mackie even leapt over the barricades to reach fans standing several rows back, with Russo following suit. Even though the measures to prevent the average fan from attending weren’t as extreme as previously thought, the layout of the Blue Carpet did make it difficult for those who weren’t journalists or pass-holders to get very close to the stars.



The under-privileged children who were beneficiaries of MBS’ social outreach programs were welcomed onstage, and some got to ask the stars and director their questions. It’s difficult not to be a cynic in the face of such a blithely manipulative display on the part of a big corporation, but the children did seem to be genuinely enjoying themselves and a boy was overwhelmed with joy when Stan carried him up and swung him around.


Team Cap was presented with artwork by artists Elvin Ching, Guo Junwei, Noval N. Hernawen and Soefara Jafney which incorporated characters from the Marvel Cinematic Universe into prominent Singapore landmarks.


The Team Cap festivities culminate on the night of 22nd April, which will see MBS lit up in red, white and blue, with an accompanying fireworks display as an act of one-upmanship aimed at Team Iron Man, who set a tough act to follow by lighting up the Eiffel Tower in red and gold with glowing blue ‘eye’s during their Paris tour.













Photos by Tedd Jong 

In Civillised Company - Captain America: Civil War Team Cap Singapore Press Conference

For F*** Magazine

IN CIVILLISED COMPANY

Team Cap and co-director Joe Russo touch down in Singapore to talk Captain America: Civil War
By Jedd Jong


                It seems our tiny city state has been in a bit of a tizzy, ever since Marvel announced that Singapore would be one of the stops on the promotional tour for Captain America: Civil War, the 13th entry in the Marvel Cinematic Universe (MCU). A brouhaha erupted over the obscenely high ticket prices that were being charged for premium access to the blue carpet – the passes, priced at $688 and $1288, did not even guarantee actually meeting the celebrities, and a discussion on the exploitation of geek interests for profit spread across social media. It was later clarified that these were package deals, and fans were welcome to line the blue carpet in the hopes of a selfie or autograph for free.



                This morning, stars Chris Evans (Steve Rogers/Captain America), Sebastian Stan (Bucky Barnes/Winter Soldier), Anthony Mackie (Sam Wilson/Falcon) and director Joe Russo, one half of the Russo Brothers filmmaking team, fielded questions from the local and regional press at the Marina Bay Sands Convention Centre, including F***. Deejay Glenn Ong moderated the press conference, as Team Cap laid out their plans for domination.


                Civil War sees the Avengers fractured after politicians around the world propose a governing body to keep superhero activity in check, so as to prevent the wanton collateral damage the Avengers have incurred in the past from happening again. Half the team sides with Iron Man, who is for regulation, while the other backs Captain America, who is against it. Stars Robert Downey Jr. (Tony Stark/Iron Man), Don Cheadle (James Rhodes/War Machine) and Emily VanCamp (Sharon Carter/Agent 13), with co-director Anthony Russo, threw down the gauntlet by lighting up the Eiffel Tower in red and gold with blue ‘eyes’ during their press tour in Paris. Presumably, VanCamp was brought in as a replacement for Scarlett Johansson, seeing as Agent 13 really is on Team Cap in the movie.


                “I saw what Downey did in Paris, and it was great, but I think we can really do something special here in Singapore and show ‘em it’s all about Team Cap,” Evans declared. He was referring to the plan to light up the three towers of the Marina Bay Sands Integrated Resort in red white and blue; the light-up will be accompanied by a fireworks display. “The more buzz, the more energy that can be created, the conflict between the two camps is going to help the film,” Evans said, tacitly conceding that the rivalry is obviously manufactured to keep the sales machine going.

                The Russo brothers return to the MCU after helming the much-loved Winter Soldier movie. They are also signed on for both parts of the upcoming Avengers: Infinity War cinematic epic, which will see the Avengers finally come face-to-face with their ultimate foe, the intergalactic warlord Thanos. Russo cited the interplay between the characters as a key component in the MCU, saying “I think this movie has more character interaction than any movie that has preceded it in the Marvel Cinematic Universe.” Civil War is couched as a culmination of plot lines that have been fomenting across the earlier Avengers and Captain America movies, with Russo promising a film that’s “Heart-breaking but also a great deal of fun and “a well-rounded experience at the movies.”


                “It’s a Steven Soderbergh-level of cast,” Russo said of the ensemble he and his brother presided over. “Marvel has done an amazing job of filling out the Marvel Cinematic Universe with some of the best actors in the world, it makes my job very easy.”

                “They have a wonderful understanding of cinema,” Evans said, returning the praise. “A lot of directors don’t always want to reference other movies, but Joe and Anthony are true cinephiles.”


                The Russo Brothers are known for their work on television comedies like Arrested Development and Community. They slipped Community cast member Danny Pudi into The Winter Soldier, and Jim Rash has a cameo in Civil War. Russo drew a parallel between shooting comedy and staging action sequences, saying “When you execute a comedic gag, there’s a lot of correlation to action: spatial relationships on screen, editing, rhythm.” Russo acknowledged the “incredible support” rendered to them by the Marvel Studios brass, calling the visual effects team “unbelievable”.

                In order to decide who would be on whose side, the Russo Brothers sat in a room for months with writers Christopher Markus and Stephen McFeely to hash out the story beats. We went through the cast we had available us and the cast we didn’t have available to us and we thought very hard about who would line up against who based on their motivations up to this point in the Marvel Cinematic Universe.” Russo added that “surprises for the audience” were on the agenda too.



                Throughout the press conference, Stan seemed the most withdrawn, while still projecting a certain sweetness, whereas Mackie was gregarious and game. Perhaps Stan was freshly defrosted from Winter Soldier hibernation. Mackie was handy with the disses aimed at Team Iron Man, like so many bullets from flip-out submachine guns. “We try to get to know the culture that we’re in, eat the food and meet the people,” Mackie said, tacking the colloquial Singaporean interjection ‘lah’ onto the end of a few sentences. “Whereas Team Iron Man, they’re more about just going from the press conference to the spa, and then from the spa to their jet, stuff like that. We hitchhike. They hang on to me, I put on the jetpack and we go straight across.”


                In the film, Falcon’s get-up is referred to at one point as a “bird costume.” Mackie reacted with mock indignation when a reporter reminded him of this, replying “say that one more time, homie? I’m described as what?!” When egged on to denigrate Team Iron Man’s outfits, Mackie offered that Stark himself looks like “a coke can”, that Vision looks like “someone just drew over him”, that War Machine resembles “a trash can” and that Black Panther’s suit seems like it’s made of “Michelin car tyres.” He could not bring himself to insult Black Widow, whom he described as “perfect.”


                When quizzed on how they get in superhero shape for the films, Evans said there was no magic bullet, “Any type of secret workout, diet, doesn’t really work,” he insisted. “We go to the gym, we pick up heavy stuff, we put that down, we do that until we can’t do that anymore and we get big.” Sounds so easy when he puts it that way, doesn’t it? Mackie jests that Evans really is an Ultimate Frisbee enthusiast. Evans admonishes him, saying that his quip is bound to get lost in translation down the line and invariably get taken seriously by somebody.

                The film pushes the relationship between Rogers and Sharon Carter/Agent 13 further along, with Rogers learning that she’s actually the niece of Peggy Carter, the co-founder of S.H.I.E.L.D. who fell in love with Rogers during his WWII days. Evans stated that it “follows in the lineage of what Cap considers his home to be with Peggy Carter, and Sharon Carter is kind of an incarnation of something familiar.” He said he is intrigued by the suggestion of a romantic bond between Cap and Black Widow, which Mackie objected to, since he has his eye on Black Widow. “They come from different backgrounds and find comfort in each other at different times of distress,” Evans reasoned. “I always thought that would be a really interesting dynamic to pursue, but at the same time, it’s very sweet and very pure that they’ve kept it platonic.”



                Russo delivered the closing salvo of the press conference, calling Civil War an “incredibly important” entry in the canon. “Winter Soldier changed the external structure of the Marvel Cinematic Universe with the dissolution of S.H.I.E.L.D. I think that this movie changes the psychology of the Marvel Universe in a very significant way,” Russo continued. Teasing what’s to come, he said that “the ramifications of Civil War are not over, they’re going to carry over significantly into Infinity War.” So, from the ashes of war, there is rebuilding to be done.
Captain America: Civil War opens in cinemas 28 April 2016

F***’s coverage of the Team Cap festivities in Singapore will continue.

Photos by Tedd Jong



Wednesday, April 13, 2016

Better the Devil You Know: Lawyering Up with Charlie Cox

As published in Issue #75 of F*** Magazine




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BETTER THE DEVIL YOU KNOW
F*** lawyers up with Charlie Cox, star of Netflix’s Daredevil
By Jedd Jong


Matt Murdock escaped the mean streets of Hell’s Kitchen for a sojourn in Singapore, which does not have nearly as many ninja assassins roving the streets. F*** was in attendance as Netflix put together a meet-and-greet for social media influencers to rub shoulders with the Man Without Fear himself, Charlie Cox. The lobby of boutique hotel The Club had been transformed into a Netflix theme park of sorts dubbed “Club Netflix”, sporting décor reflecting Orange is the New Black (duct tape slippers), Narcos (fake bills bearing Pablo Escobar’s face), Jessica Jones (an Alias Investigations sign on the washroom door), and, of course, Daredevil – a plaque reading “Nelson and Murdock: Avocados at Law” had been installed on the wall outside.

Cox was, as many of his fans would expect, supremely charming as he fielded questions from the star-struck social media personalities present. He looked thrilled to see a cosplayer show up to the shindig in full Daredevil regalia and reacted positively when this writer showed Cox a Matt Murdock custom action figure he had made.

Daredevil is currently in its second season, with all episodes streaming on Netflix. The Marvel Cinematic Universe (MCU) has spread far beyond the silver screen, now encompassing shows on TV and online streaming platforms. Cox’s portrayal of Murdock, a lawyer who was blinded as a child in an accident but gained superhuman senses as a by-product, has attracted praise from fans and critics alike.


“It’s a job,” Cox said with a laugh when asked what drew him to the role – but it was soon clear that this is a job the actor takes very seriously. “I just thought it was so different, interesting and sophisticated, unlike any superhero show that I’d seen, and I thought it was a very cool opportunity,” he said. Cox hadn’t read the comics before accepting the role, which he said was “helpful” as his first exposure to the character was the script for the first two episodes, written by Drew Goddard. Cox would later delve into the source material, and he identified Brian Michael Bendis’, Frank Miller’s and Jeph Loeb’s respective runs as writers on Daredevil as the biggest influences that the show drew upon.


Cox addressed the 2003 Daredevil film starring Ben Affleck, saying he was determined to be secure in his own portrayal of Murdock before watching the movie, which he eventually got around to. “I had heard a lot of jokey negativity about this film. Funnily enough, when I watched the film, I think Ben Affleck did a really good job. I really liked his Daredevil,” Cox remarked. He added that he feels “the film suffers tonally,” which is a widely-held opinion. “What’s interesting about it is that I don’t think you can compare the two,” he continued. “The film is closer tonally to Stan Lee’s Daredevil. It’s more light-hearted, it’s more comic book-y, and it’s geared towards a slightly younger audience. It’s a very different interpretation.”

As with any live-action portrayal of a comic book character, the costume has drawn much scrutiny. For the first 12 episodes of the 13-episode first season, we only see Murdock clad in a thrown-together black get-up, with the full reveal of the Daredevil costume coming in the final episode. “If you get it wrong, people are upset,” Cox said, acknowledging the importance of the design. The old-fashioned technique of constructing a special effects costume involves taking full-body moulds of the actor, but Cox underwent a more high-tech process: a full body laser scan.

When Cox wore the suit on the set for the first time, security was extremely tight so images would not be leaked, and the 150 person-strong crew were all eager to catch a glimpse of the Daredevil costume. “I felt a little embarrassed because everyone was looking at me,” Cox said. Donning the armour tapped into Cox’s childhood dreams of being Spider-Man. “Now I’m cooler, I’m Daredevil!” he exclaimed, throwing a little shade in the web-crawler’s direction.


While Cox confirmed that the initial black outfit was obviously more comfortable, he said the most recent suit, the third in the series’ continuity, is his favourite for reasons of form and function. “It’s the iconic red suit: it’s a very cool texture, it feels cool when you’re wearing the suit, but it’s also protective.” He clarified that it wasn’t like “really getting beaten up”, but the stunts and fighting still take their toll. Cox revealed that co-star Jon Bernthal (Frank Castle/The Punisher) got a little too into character. “He was kicking me in the stomach, really hard. He didn’t realise he was doing it! But luckily I had this chest plate on so it was protecting me. After about ten takes, I was like ‘dude, you gotta stop kicking me!’”


Speaking of The Punisher, his introduction into the MCU via Daredevil’s second season has gotten Marvel fans all giddy. The character serves as a foil for Daredevil, who does not endorse Punisher’s brutal, merciless brand of vigilante justice. Over the course of the season, Murdock comes to understand Castle and his tragic motives, but Punisher’s entry onto the scene is a wake-up call of sorts. Murdock comes to realise that he is “is responsible for people like Frank Castle showing up in Hell’s Kitchen and the carnage that they bring,” Cox pointed out. “Potentially more frightening is that if he is responsible, then he has to stop being Daredevil. And that is something I don’t think he’s able to do. I think at this point he’s heavily addicted to it and he will do everything in his power to protect his right to be Daredevil.”

Murdock’s romantic relationships have always been complicated. Season 1 sees him dating nurse Claire Temple (Rosario Dawson) and in Season 2, he falls in love with Karen Page (Deborah Ann Woll), the associate at the Nelson and Murdock law firm. A spanner in the works manifests itself in the form of Elektra Natchios (Elodie Yung), a debutante/assassin with whom Murdock was involved in college.


“Matt is completely himself with both of those women,” Cox said of Karen and Elektra, shedding light on the paradox of how they reinforce different aspects of Murdock’s personality but he cannot wholly be himself with either. “With Karen, he’s able to be the man he’s dreamed of being, the man his father wanted him to be. Someone who majors in kindness and generosity and authenticity and who fights for law and order and goodness,” Cox reasoned. “That’s who he is, that’s who he wants to be. But she doesn’t know about this other aspect of his life, which is a huge part of it, which is Daredevil.”


“With Elektra, the opposite is true,” Cox said of the femme fatale. “He’s able to be Daredevil. He’s unashamed of himself as Daredevil with her, she encourages him. But she also sees a darkness in him and she encourages him to have a disrespect for property and law and all those things, which isn’t truly him. He’s torn. Like a lot of people, men, women, across all generations, they often feel torn.” 
Cox got into some of the technicalities of portraying a sight-impaired person. He trained with consultant Joe Strechay, who is blind, and also incorporated some mannerisms from a blind dog he once had. You could hear the hearts in the room being warmed when Cox talked about his pet. “If you grow up with your sight, you use your eyes for so much stuff that you don’t even realise,” Cox shared. “Especially when you act, but even in real life, I can say one thing, but my eyes can tell you that I mean something very different.” Acting without the use of one’s eyes is a challenge, since “emotion comes from the eyes.” Cox noticed Strechay would look towards someone’s mouth when they were talking, because that’s where the sound comes from, and incorporated that into his portrayal of Murdock.

Cox was honoured by the American Foundation for the Blind with the Hellen Keller Achievement Award, and the actor feels privileged to be able to represent the sight-impaired community and collaborate closely with them. He admitted to feeling a little embarrassed at the award, saying “I’m just an actor who got a great opportunity to do a job and I took my job seriously. It’s lovely to be recognised.” Cox has been involved in outreach programs organised by the Foundation and recently spoke to the students of the Overbrook School for the Blind in Philadelphia.



Cox recounted how his mother often gets him to talk to her friend’s children when they ask for advice about being an actor, in order to dissuade them. “The thing that I say to them, which isn’t really advice, which probably isn’t fun to hear, but is the truth I think, is ‘get lucky. Get really lucky’,” Cox said. He elaborated that he knows a “huge amount of very talented actors” who have missed out on many opportunities. “Don’t get me wrong, I work very hard, but somehow, some way, I’ve been at the right place at the right time on a number of occasions.” Cox said he once heard Anthony Hopkins saying that he reads each script 200 times, and Cox endeavours to read the script more times than one would think is necessary, to absorb the character “by osmosis.” In addition to Hopkins, Cox listed Marlon Brando and Gene Hackman as actors he looks up to.

Funnily enough, out of everyone in the room that day, Cox was probably the only one without a social media presence. “It’s not really who I am,” he shrugged. Perhaps this adds to the appeal of Cox as a “serious actor” unoccupied with the frivolities of Twitter and Instagram.

He recounted the story of how an (unnamed) good friend of his, a “very well-known actor”, had been reading the Internet Movie Database (IMDb) message boards and found a thread calling him the “worst actor on earth”. “So I said to him “buddy, don’t read that! That’s stupid, why would you pay any attention to it?” However, Cox’s curiosity was piqued, and he was unable to resist the temptation to look up his own message boards on IMDb. “I started to scroll down, and the next part of my life happened in slow motion. As the message boards came up, the first title was a picture of me and it said ‘She-man?’ and there was a picture of me with really long hair when I was younger and big lips, I don’t know? My mum finds that hilarious. Whether that’s constructive criticism or not, I don’t know.”

The actor’s career has gone unaffected by such trifles and with more seasons of Daredevil in the works, plus a Defenders team-up show on Netflix and possible appearances in the movies themselves, Cox is ploughing ahead without fear.





Sunday, April 3, 2016

Winter is Coming - The Huntsman: Winter's War Singapore red carpet premiere

For F*** Magazine

WINTER IS COMING
F*** is on the red carpet to catch the stars of The Huntsman: Winter’s War
By Jedd Jong



It was a particularly muggy Sunday night, but everyone had winter on the brain. Universal Studios Singapore at Resorts World Sentosa played host to the stars and director of the fantasy action film The Huntsman: Winter’s War, the sequel/prequel/spin-off of 2012’s Snow White and the Huntsman. Chris Hemsworth, Oscar winner Charlize Theron, Jessica Chastain and director Cedric Nicolas-Troyan graced the red carpet and fan premiere on April 3.



Thousands of fans and guests lined the red carpet to catch a glimpse of the cast, bearing witness to the first ever movie premiere held in the theme park. Theron looked exquisite in white, while Chastain was radiant in a sequinned black gown. Hemsworth cut a dashing figure in a navy blue suit. The stars took their time to pose for selfies with and sign autographs for lucky fans. This writer was thrilled when Theron deigned to pose with his custom action figure of Furiosa, her character from Mad Max: Fury Road.


Hemsworth, Theron, Chastain and Nicolas-Troyan had their handprints preserved in concrete for posterity before entering the Pantages Theatre for the screening.



The Pantages Hollywood Theatre, normally home to the Sesame Street stage show When I Grow Up, received a makeover for the premiere. The façade of the theatre was completely transformed to resemble the ice castle in The Huntsman, which the Snow Queen Freya (Emily Blunt) calls home in the film. The 20-metre-tall structure features hand-carved and hand-painted designs, taking one month to fabricate. It was installed over a period of 10 nights. It will remain in place at Universal Studios Singapore until May 2.



The Huntsman: Winter’s War opens island-wide on 14 April 2016.

Photos by Tedd and Jedd Jong

Director Cedric Nicolas-Troyan, who was the visual effects supervisor on Snow White: and the Huntsman and was nominated for an Oscar for his work on that film.